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Encore

Oregon Humanities: Fall/Winter 2011

What Remains
A search for the site of a notorious massacre in Hells Canyon

When R. Gregory Nokes first learned that a Wallowa County clerk had discovered in an unused safe a handful of documents about the murder of more than thirty Chinese miners in Hells Canyon in 1887, he approached the incident as a news story that he could write about as a reporter for the Oregonian. But as he delved deeper, intrigued by the fact that he’d never heard about the crime, he began to realize that he’d stumbled upon an incident that residents of the area didn’t want to talk about and that authorities had only half-heartedly investigated. After leaving the newspaper in 2003, he used his reporter’s skills to continue searching for in-formation in order to piece together the whole story of what happened to the miners. In this excerpt from Massacred for Gold: The Chinese in Hells Canyon, published in 2009 by Oregon State University Press, Nokes decides that he needs to see for himself the site where the Chinese miners were killed.

We erected our tent under the only decent-size tree on the Dug Bar beach. The tree was a gnarled hackberry, one of the few trees native to the canyon. With its leathery green leaves and knobby bark, it provided reliable shade. It looked old enough that I wondered whether Chief Joseph might have conferred beneath its branches with other tribal leaders before crossing the river in 1877.

We were glad for the tent. While we were grilling an evening meal, black thunder clouds suddenly appeared overhead. We had scarcely five minutes to rescue our food and retreat into the tent before rain descended in buckets, as lightning crashed around us. In twenty minutes the storm had passed and the sky was clear again. Although not normally superstitious, I found myself wondering whether one of the many ghosts inhabiting the canyon had sent us a warning. We spent a peaceful night.

Deep Creek was still three miles farther south. We faced hiking the rest of the way. While we could have reached Deep Creek along the river, the sharp lava rock, steep cliffs, and dense river willow and other brush make for treacherous footing. I was certain Blue Evans and his gang couldn’t have gone that way on horseback. They would have taken the longer but easier route across the bench, the way we chose to go. Leaving before sunrise, we followed a rough Forest Service trail past the Nez Perce sign and a sagging wooden fence, and up a steep slope to the rolling grass-covered bench. My intention was to complete the round-trip by early afternoon, before the worst of the day’s searing heat.

Looking back from the high point of the trail, I was awestruck by the dawn breaking around us. Behind where we stood, light from the rising sun descended toward us down the upper cliffs, transforming the pre-dawn gray of dry vegetation into a widening blaze of gold, while below, the river and Dug Bar remained obscured in purplish shadow. Gradually, the sunlight reached the bench where we stood, nearly blinding us as it moved past, finally to ignite the canyon and the river, made once again phosphorescent. Ahead, as far as I could see, stretched the undulating bench, a broad expanse of green and gold, broken by an occasional tree-filled draw. Elk grazed in the distance, while a bald eagle surveyed the river from the brilliant blue sky, its outstretched wings gliding on updrafts from the warming canyon.

As we followed the trail south, the river disappeared from our view beneath one of the lower cliffs. After an hour of hiking in the open under an ever-warming sun, we reached a fork in the trail, marked by a sign post without any signs. One fork led down into a narrow brush-filled draw toward the river, while the other continued south, winding over the bench into the distance. The trail down the draw looked uninviting. However, consulting a Forest Service map I picked up at the Wallowa Mountains Visitor Center in Enterprise, I concluded it was the path we wanted. Mike hoped I was right, because if it proved a dead-end, he informed me, he was turning back. The hot sun was making Mike surly. I was glad he remained with me, because I would soon need him.

Evans must have led his gang down this same draw, the first accessible path to the river after Dug Bar. Accessible, yes; conveniently so, no. The trail was clogged with head-high thistles and sumac, thick clusters of poison ivy, fallen trees, and rope-like vines. We carried long poles, cut earlier from lodgepole pines, to batter our way through the undergrowth, although at the cost of raising clouds of dust from pollen and decayed leaves that stuck to our skin and made breathing difficult. A muddy creek, largely hidden in the dense undergrowth, trickled underfoot, sucking at our boots. The map identified the creek as Dug Creek, also named for Douglas—his body supposedly was buried nearby.

We stopped often to rest, draining our canteens and picking burrs from socks and boot tops, all the while swatting at mosquitoes, which fed at will. We also kept a keen eye for rattlesnakes, which, we had been warned, lurked in the shade. During one break, Mike, a Vietnam combat veteran, experienced anxious flashbacks from that war, feeling as if he was once again patrolling blindly through the thick Vietnam jungle, fearful of imminent ambush.

Two-thirds of the way down, we lost the trail in the thick brush, and, after futile attempts to find it, we blazed our own trail by climbing along the rocky south wall of the draw—not a particularly smart thing to do, as the loose rock easily dislodged under our feet. It took nearly two hours to reach the river, where we collapsed on the riverbank. I was soaked with perspiration, and out of breath.

When we had regained some energy—I was in worse shape than Mike—we again picked up the trail, which followed the riverbank for the final quarter-mile to Deep Creek. The river trail proved easier going, although we were once again in the open with no shade. As we clambered around basalt boulders in the oven-like heat, our sweaty handprints evaporated in seconds.

Aside from rubbery legs, I felt no worse for wear when we reached Deep Creek, although considerably behind my schedule. Warned in advance about the intense mid-day heat in Hells Canyon, I had planned the hike so we would reach the camp by 8 a.m., giving us several hours to look around before we started back at 11 a.m., arriving back at Dug Bar no later than 1 p.m. However, because of the difficult hike down the draw, and frequent stops to rest, we were already more than an hour behind schedule. Mike wisely chose to cool off in the river, while I explored.

I am not sure what I expected to find. A bowl-shaped configuration of cliffs, less steep than I had imagined, formed a half-circle around the cove, which opened onto a wide gravel and sand bar, and the river beyond. At the back of the cove, Deep Creek emerged from the cliffs and meandered across the terrain to almost disappear into the gravel bar, before draining into the river. The stream was scarcely more than a yard wide and a foot deep, although it was no doubt much larger during the spring runoff. At the time of the massacre, the creek was also known as Dead Line Creek, a name given by Douglas, the rancher-outlaw, who years earlier had run a herd of cattle on the bench above the river cliffs. Douglas had warned the Nez Perce to keep their cattle south of the stream, ignoring their treaty rights to the land. The name he picked, Dead Line Creek, left no doubt about his intended consequence for anyone failing to heed his warning. At the rear of the cove, a cluster of hackberry trees and mountain mahogany, another tree native to the canyon, provided some shade.

Given the horrible crime committed here, I had anticipated a gloomy, haunting place. But the sunlight filtering onto the stream through the trees made it appear almost pretty. It was as pleasant a place to camp as anyone could hope to find along this section of the Snake.

Not surprisingly, little remained to suggest a Chinese presence. I had been told the only visible sign of habitation was fragments of two rock walls, set against a cliff near the rear of the cove, which the Chinese used for a dwelling or for storage, according to a 1960 U.S. Forest Service inventory of the site. At the time, I was unable to find the walls—a major disappointment—probably because I was nervous about the heat and searched less thoroughly than I would have otherwise. My disappointment was later partly eased when the reader of an article I wrote about the trip kindly sent me photographs from his own visit years earlier.

On a later occasion, I would find the structure: two crumbling rock walls extending out from a slanted shelf of rock, creating an enclosure roughly ten feet by ten feet. The Forest Service determined the rock shelf once served as a shelter for Native Americans and was used by the Chinese. The agency’s inventory said the Chinese miners, after building the rock walls, may have covered the enclosure with a log and sod roof, long since gone. The remains of the rock walls are four feet tall at the highest point, and quite possibly were never much higher.

There are several unusual pictographs on the rock shelf that defy definition. The Forest Service experts thought they were of Native American origin. But later visitors must have altered the pictographs, possibly in a lame attempt to make them appear to be Chinese writing.

The Forest Service found evidence of diversion ditches along Deep Creek “where water was run for placer mining.” The ditches were not in evidence forty years later, or at least, I did not find them.

Much more remained of the Chinese camp in the early twentieth century when a young boy, James Brewrink, visited Deep Creek, according to a copy of a scrapbook entry found at a riverside lodge. It was sent to me by Priscilla Wegars, the volunteer curator of the Asian American Comparative Collection at the University of Idaho. Brewrink said he was six years old when he visited the Deep Creek site about 1910 with his father and mother and a mining crew. Neither Wegars nor I can attest to the accuracy of the account, but Brewrink’s description of the sleeping structure roughly corresponds to the rock shelter.

It was my first introduction to human remains and is clearly remembered. The camp area was clearly evident with broken iron pots and tools scattered at a cooking area. The location of a living area was evident. The sleeping shelter was the most interesting. A recess dug into the bank had clear remains of double decks on both sides of the recess providing eight bunk spaces. Shelf parts of the bunks were mostly fallen probably by reason of failure of leather like bindings which had rotted away or been attacked by rodents. The bands holding end post frames may have been bark or vines and were in condition to show the original intent of the structure.

Dad and his crew collected five skulls and other bones and buried them as best they could with the tools available. I was at the site again in my high school days and felt confident of the recollection I have as a six year old.

The gravel bar where the Chinese mined may have been significantly altered by the river over the years, and I can only describe it as it appeared on my visits. The bar is about fifty yards long, half the length of a football field, extending from a jumble of man-sized boulders upstream to a narrow sandy beach downstream. The beach ends at a fifteen-foot-high basalt outcropping that juts into the river like a retaining wall. The river in front of the cove is nearly a hundred feet wide, well over a man’s head in depth, and too fast and treacherous for anyone to swim across without being swept a good distance downstream—Mike’s plunge into the river worried me, even though he stayed close to shore. Across the river are the steep, treeless cliffs of the Idaho shore. The location seems a near-perfect place for an ambush, and proved so in 1887. The tranquility of Deep Creek may have lured the Chinese into a false sense of security.

Commentary

Met you at SOU 2/11, read your book that night.  A comment: my husband and I lived in Asia 10 yrs.  Your story took place 150 yrs. ago.  Today in rural China, people make around 15 cents a day. And no labor nor environmental laws - my point being: makes you wonder what they were pd. in 1860.  Also, Greg, next time you’re in SF, go to the Benevolent Society in Chinatown.  With gentle prodding, you may extract info on what really happened there (the aftermath).  Fascinating story.  I fear similar crimes abound in rural OR (I do pro bono work as a physician).
Wonderful book and presentation.  Marleen Walmsley

.(JavaScript must be enabled to view this email address) | 12 Feb at 11:34 AM

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Eric Gold

Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.

Kristy Athens

Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.

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Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.

Ellen Santasiero

Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.  

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Jedidiah Chavez

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Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.

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Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.

Eric Gold

Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.

Sarah Gilbert

Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.

Courtney S. Campbell

Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.

Barry Johnson

Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).

Rebecca Hartman

Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.

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Jennifer Ruth

Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.

Richard J. Ellis

Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.

Leigh van der Werff

After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.

Joanne Mulcahy

Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.

Marion Goldman

Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.

Guy Maynard

Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.

Kambiz GhaneaBassiri

Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.

Tim DuRoche

Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.

Walidah Imarisha

Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.

Kim Stafford

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.

Debra Gwartney

Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.

Susan Meyers

After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.

Matthew Stadler

Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.

Amanda Waldroupe

Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).

Todd Schwartz

Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)

Courtenay Hameister

Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.

Ariel Gore

Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.

Jamie Passaro

Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).

Andrew Guest

Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.

David Bragdon

David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.

M. Allen Cunningham

M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.

Bette Lynch Husted

Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004)  and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.

Bob Bussel

Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.

Dave Weich

Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.

Camela Raymond

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Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.

Karen Karbo

Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.

Lisa Radon

Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.

R. Gregory Nokes

R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.

Christine Dupres

Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.

Apricot Irving

Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.

Vicente Martinez

Vicente Martinez lives in Portland and works at a fast food restaurant.

Susan W. Hardwick

Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.

Sarah Gilbert

Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.

Kevin Nute

Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).

Brian Doyle

Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.