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Fall/Winter 2011 : Encore

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Fall/Winter 2011 : Encore

Oregon Humanities: Fall/Winter 2011
I know where I was sitting the moment I wrote the line.
I was in an Internet café off a dirty street in Cusco, Peru. The city was built by the Incas and conquered by the Spanish, who supposedly covered much of it in gold, but today European twentysomethings with dreadlocks walk down the streets without shoes and crippled beggars whine for change in the town square.
“Poor people are happier,” I’d written on my blog, a new tool for me at the time and my primary means of updating friends and family on my three-month travels through South America.
Even then, I felt embarrassed by my hasty generalization, which I knew smacked of ignorance. But I was feeling bold, in touch with a new reality. Here, people lived simply, seemingly content with bootleg CDs, nonorganic vegetables, and a lack of order. Seat-belt laws and emissions standards? Peru seemed just fine without them.
Like a college freshman who, upon reading Nietzsche for the first time, buys her parents a copy of Thus Spoke Zarathustra for Christmas, I wanted to tell everyone about my discovery. Even though I’d spent a summer studying abroad in Europe and had briefly visited Turkey and Nepal, on this trip I’d found an even bigger world outside the United States—one that included vast amounts of poverty and, yet, joyful people.
Seeing this new world also meant acknowledging a deep, nagging guilt. After all, I was a white, educated, middle-class American who’d been born into unquestionable opportunity. And I’d needed this trip to really begin to contemplate the realities of the developing world and my relationship to it. No book, movie, or essay had ever pushed me to evaluate my identity in the same way. The daily sights, from men urinating in bushes along the side of the road to schoolchildren skipping to class in neatly pressed uniforms, prompted me to form many theories and make quick declarations. My emotions ran high.
I knew the danger of my position. Travel tends to bend truths, obscuring an otherwise clear gaze with a mysterious gauze. Was I making valuable insights or simply seeing what I wanted to see? Did these insights make traveling more than 4,500 miles from home worth the time, money, and resources? Did they justify my cultural voyeurism and contribution to a tourism infrastructure?
And was I a tourist or a traveler? I use the words interchangeably but will admit that I prefer the term “traveler.” For me, “tourist” conjures up images of resort vacations, jet-boat tours, and plastic replicas of the Great Wall of China. As a “traveler,” my time away from home seems more purposeful and imbued with meaning, admittedly a possible fallacy.
My mother, who worked as a Peace Corps volunteer in Afghanistan during the late ’60s, was appalled by my blog statement. “Lucy, really,” she said within hours of arriving in Cusco, the starting point for our two weeks of travel together. “Why would you say that? It’s just ridiculous.”
We were drinking coca tea in a house owned by Mary, a jovial single mother who supported her teenage boy by renting out rooms to tourists attending a local Spanish language school. When Mary found out my mother was coming for a visit, she requested a gift from America: a bottle of multivitamins.
The feedback about my blog kept coming. “Your line about poor people really got people talking,” my friend Pam wrote in an e-mail. “Way to go!”
I’ll admit, she made me feel some sense of accomplishment. In my ideal world, more people would openly discuss the relationship between poverty and happiness. Yes, in many cases these discussions would reveal ignorance (ahem). But at least people would be talking. I’ve noticed that these types of discussions happen more frequently and with greater ease among people who travel, both when they’re at home and on the road.
Why? Because travel is stimulating, whether you’re visiting a Starbucks in Rome or watching a dung beetle in Africa. Many travelers are fueled by curiosity about identity, culture, money, the natural world, art, history, commodities, architecture, food, ritual, and the nature of happiness. Each discovery creates more questions. Curiosities bloom and one trip inspires the next, which seems admirable. After all, we travelers are pursuing knowledge and connections—noble aims.
So why do I feel so guilty about loving to travel?
In the book A Small Place, Jamaica Kincaid bitterly describes tourism from the perspective of a local in her native country, Antigua. She calls it a phenomenon that triggers feelings of envy and inequity among native people, who are “too poor to escape the reality of their lives” and “too poor to live properly in the place where they live, which is the very place you, the tourist, want to go.”
How can you walk through the slums of Kathmandu on your way to a several-thousand-dollar, two-week trek on the Everest Trail and not feel guilty because you inspire envy in the locals? You can’t. But does that mean you should’ve stayed home?
***
Tourism and money have always been intertwined. During the Middle Ages, small European towns built new cathedrals to lure religious pilgrims, who otherwise wouldn’t have set foot there. Ultimately, the cathedral would augment the town’s wealth thanks to the pilgrims’ need for food, drink, and lodging (and speculatively, some early type of souvenir). But wealth came at a price. The town would be flooded with outsiders, and a new industry would become dependent on their presence.
These types of visitors, who arrive in a foreign place seeking something they can’t find at home, continue to influence economies. As Roxann Prazniak, associate professor of history at the University of Oregon, puts it, “The dollar disrupts the local culture but also sustains it. You can’t dichotomize those things.”
Steve and Bonnie Gibons, owners of Scappoose Bay Kayaking, lead group tours to Belize each year. Because they return to the same spots each time, the couple has made friends with the locals in a small, poor jungle village on the tour’s itinerary. While Steve says he’s pleased to bring American tourists to the village so the locals can sell their handicrafts to a captive audience instead of having to peddle the crafts on nearby beaches, he worries the village will become too financially dependent on him. “If I don’t go back down there, they’re still going to have to walk the beaches,” he says.
I, too, feel how money connects me to people I meet abroad. For me, as a writer for guidebooks, magazines, or newspapers, money binds me to those who also earn their livings from tourism. As I shared large lunches of rice, beans, and stuffed avocados with Mary in Peru, I felt how she needed me, the tourist, for survival, just as much as I needed travelers to plop down funds for trips inspired by one of my articles or books.
While researching a guidebook in Ecuador last year, I witnessed how I could almost guarantee someone’s livelihood for the next few years by choosing to include a certain restaurant or hotel in the book. In one small town in the cloud forests outside Quito, a woman wanted to give me gifts to take to the guidebook’s previous author. She told me that because he included a positive mention of her husband’s bird-guiding service in the earlier edition, they were able to pay for the education of their eight-year-old disabled daughter.
She called to her daughter, who wandered into the house and immediately tried to play with my hair. I froze. As a guidebook author, had I suddenly become responsible for this child’s education?
Gibons says the benefits of tourism can outweigh the existence of these complicated financial relationships, in particular for visitors. “We get to meet other human beings who are coming from different directions in life,” he says. “We hope the experience will alter the visitors and help them appreciate other humans and another way of living.”
While many trips and programs abroad encourage these types of profound connections, money can create separations, says Prazniak, who frequently travels internationally to study art. This past spring, she taught at a university in Siena, Italy, where she says some students from Oregon seemed intent on being “good tourists” by seeing as many countries as possible, which meant hopping on trains during the weekends and spending money in other locations. These busy travelers became more connected to the tourism infrastructure in Europe, which meant speaking more English and meeting more Americans. From Prazniak’s perspective, the students who couldn’t afford to travel on the weekends experienced a more profound immersion in Italian language and culture.
But no matter how much they spend, at home or abroad, Americans are viewed as wealthy, says Erik Wolf, a Portland resident who operates a global culinary tourism program and has visited sixty countries during the course of his travels. “People still view Americans as having tons of cash, an image propagated by the media,” he says. “They think every American has a huge house, flies around the world in their own jet, and drives huge cars, just like on the TV show Dallas.”
That false image can help alleviate any potential guilt: it’s easy to dismiss a nasty stereotype. But compared to many populations in the world, Americans do have more disposable income. In 2007, the average full-time income in the United States was $49,483 compared to $15,446 in Poland. An estimated 982 million people in developing countries live on $1.25 a day or less, so most Americans are relatively well off. But Wolf says that generalizations based on some truth can become inflated and damaging. When conducting business transactions abroad, he frequently asks non-American colleagues to make real estate transactions for him in order to avoid the “American tax,” the automatic inflation of a price to correspond with his nationality.
Despite the stereotypes awaiting Americans abroad, about 30 percent of Americans have passports, according to the U.S. State Department, a larger number than in the past because of a relatively new passport requirement for visiting Canada and Mexico. While it’s difficult to track precisely how many passport holders actually leave the country, many Americans do travel abroad, despite the global perception to the contrary.
Why do we willingly enter the murky territories of cultural identity, wealth, dependencies, and stereotypes? The answer matters, as does the character of the traveler, at least to Ralph Waldo Emerson, who claimed he didn’t oppose travel, if the traveler set off for the right reasons. “He who travels to be amused, or to get somewhat which he does not carry, travels away from himself, and grows old even in youth among old things,” he wrote. “In Thebes, in Palmyra, his will and mind have become old and dilapidated as they. He carries ruins to ruins.”
Most people I asked, all of whom considered themselves travelers rather than tourists, rejected the idea that traveling in search of something you lack causes harm or delusion. Their assumption is that any journey prompts positive, personal growth.
Julie Resnick, a cross-cultural trainer and consultant who frequently helps Nike employees relocate outside their native countries, says putting yourself in a foreign place where you don’t understand the language or the culture is humbling. “The first person you meet when you get off a plane in a foreign culture is yourself,” she says. “It’s such a formative experience. You learn more about yourself and your culture from that incredible vantage point.”
Local public relations consultant Kathleen Mazzocco, who aims to leave the United States once a year on vacation, agrees. “In a foreign environment, I didn’t have reference points for all my habits,” she says. “All of a sudden it became really clear what I should do in my life. I haven’t found another way to have those kinds of insights.”
I know what she means. After trips abroad, I usually come home and notice my unnecessary stuff, from clothes and shoes to books and kitchen gadgets. By living out of one bag and spending time in societies that place less of an emphasis on material things (sometimes because their citizens can afford few extras), it’s easier to see how my stuffed closets give me a false sense of comfort and security.
Also, my post-trip self softens a bit. I become more patient, especially when interacting with strangers, such as the people who serve me food, process my mail, or fix my car. Travel helps me realize that my time is no more important than anyone else’s and that the world is a kind place where strangers help each other without promise of reward. I strive to be one of those strangers.
As I bask in my humanity, I wonder if Emerson would endorse my wanderings as non-amusement? I like to think so, but I’m not ready to simply sit back and enjoy the ride. Because as travelers, or tourists, if we justify all our journeys with the pursuit of growth and noble aims, any guilt for being well off, educated, or in a position to escape the monotony of our daily lives can too easily be stored out of sight. Next stop? Detachment and delusion, no matter what the country code.
Perhaps guilt should be placed in a more accessible overhead compartment, tucked alongside more glowing thoughts of equitable financial exchanges, cultural understanding, and self-improvement. Only when we acknowledge guilt, can we really begin to venture into new worlds.
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Staff, advisors, etc.
Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.
Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.
Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.
Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.
Caroline Cummins is the managing editor of Culinate.com.
Jedidiah Chavez is a visual artist and writer based in Portland. His work has been showcased in a variety of venues nationally and in the Pacific Northwest. Chavez was awarded a 2010 project grant by the Regional Arts and Culture Council.
Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.
Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.
Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.
Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.
Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.
Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.
John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).
Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.
Dmae Roberts is an award-winning independent radio producer and writer based in Portland.
Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.
Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.
After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.
Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.
Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.
Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.
Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.
Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.
Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.
Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.
Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.
After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.
Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.
Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.
John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).
Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…
Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)
Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.
Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.
Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).
Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.
David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.
M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.
Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004) and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.
Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.
Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.
Camela Raymond is a Portland-based writer whose work has appeared in Modern Painters, Plazm, the Oregonian, and elsewhere. She was previously an editor at Portland Monthly magazine and the founding editor/publisher of the Organ. She serves on the editorial advisory board of Oregon Humanities magazine.
Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.
Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.
Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.
R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.
Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.
Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.
Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.
Vicente Martinez lives in Portland and works at a fast food restaurant.
Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.
Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.
Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).
Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.
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