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Oregon Humanities: Spring 2012

Clinging to the Dream
Why do Americans have such a hard time talking about class?

In April 2008, Just weeks after mesmerizing the country with a speech that candidly addressed the issue of race in America, Democratic presidential candidate Barack Obama found himself tripped up by the language of class. With a single comment that rural Pennsylvanians, stripped of job opportunities and thus mobility, “get bitter; they cling to guns or religion or antipathy to people who aren’t like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations,” Obama’s lead shrank amid public outcry. Was what he said elitist? Definitely, said presidential candidates Hillary Clinton and John McCain. Was it accurate? Some media pundits believe so. Obama didn’t back down from his position, but noted, “I didn’t say it as well as I should have.”

In the weeks that followed, critics analyzed Obama’s own class position, scrutinized his “Americanism,” and dissected the language he used. In particular, journalists noted how the term “cling” struck a chord in Americans, perhaps ecause it suggested something pathetic and passive, completely unlike the story that politicians are supposed to egale us with, especially during an election year: that, as American citizens, we have a choice in everything we do.
The idea that we would need to “cling” to anything paradoxically denotes a loosened grip on every ideal we hold dear.

While incendiary topics like race and gender continue to incite debate, economic class may very well be the last taboo. In a country that flaunts signifiers of social status, like sports cars or flat-screen TVs, why is such a universal topic so elusive in our day-to-day conversations?

Sociologists note the importance of differentiating between economic class and social status. Many define “class” as a combination of income, education, occupation, and wealth, and identify “social status” as a separate concept that evolves around prestige, lifestyle, and tastes. Yet because the two concepts seem closely related in the United States, Americans often use the terms interchangeably, and “class” takes on more and more definitions.

But this confusion of terms and definitions isn’t the only reason Americans avoid talking about class. According to Carl Bybee, a professor at the University of Oregon’s School of Journalism and Communication, an obstacle to discussing class is the term’s close association with the phrase “class war,” which immediately renders the subject inflammatory. “Consequently, to talk about class is one thing,” he says, “but to talk about class in the frame of a class war positions the person who wants to talk about it as a radical, or as someone who is uninterested in dialogue.” Historian Tony Iaccarino agrees, noting that once the phrase “class war” is thrown into the mix, the language can resemble Marxist and socialist ideologies that post-Cold War Americans are hesitant to entertain.

“It has been our fate as a nation not to have ideologies but to be one,” historian Richard Hofstadter writes in Anti-Intellectualism in American Life. Founded on a rejection of established European constructs, the identity of the
United States is rooted in its self-definition as “Americanism”—not unlike organized religions or political movements, as Seymour Martin Lipset notes in his book American Exceptionalism. And because of this status, if we ignore certain societal mores—like the American dream—we run the risk of being viewed as “un-American” in a way that citizens of other developed countries are not.

In admitting aloud that class barriers exist in America, we start to chip away at what some consider one of the building blocks of our society: “exceptionalism,” which is the belief in the fairness and mobility epitomized by the American dream—that we are indeed a classless, meritocratic society, exceptional in that every citizen can achieve success through ability and hard work. Iaccarino notes that the ideology of exceptionalism is rooted in the fact that the United States was founded on defiance of entrenched social classes, such as feudal aristocracies or caste systems, as well as on the belief that every individual has the right to vote and own land. This idealized American dream—prosperity achieved through merit rather than birth—would seem to guarantee a barrier-free society. “It’s the peculiar curse of being an American,” Iaccarino says. “If you fail to elevate yourself, it is your fault.”

It is ingrained in the American psyche that anyone can achieve fi nancial success and that the responsibility lies on the individual’s shoulders. Even though research shows that class mobility is leveling off , the majority of Americans surveyed in a 2008 Pew Research Center study believe that their children’s chances to change their class status will increase. Yet according to Miles Corak’s Generational Income Mobility in North America and Europe, a study of the relationship between parents’ and children’s incomes reveals that individuals in Canada, Denmark, Germany, France, Finland, Norway, and Sweden all have greater mobility than those in the United States. In fact, Corak’s study says that U.S. social mobility is more on par with Great Britain—a country with entrenched social classes.

But given the ideology of exceptionalism, most Americans believe we are all, intrinsically, born into one class: the middle class. According to the Pew study, 20 percent of Americans making less than $20,000 a year identify themselves as part of the middle class, as do a third of those netting $150,000 or more. Our presidential candidates aren’t any more certain about what constitutes the middle class—Clinton defines the top earners of the middle class as those making $250,000; Obama says they are those making $75,000.

Part of this tendency to gravitate toward identifying as one large group may be attributed to the reorganization of the American economic system: where once there was a reliable supply of unionized, well-paying jobs— which provided not only a substantial paycheck, but also the camaraderie and pride that came with having a blue-collar job—there is now a growing economic polarization and a marked lag in employment in the so-called labor industries, such as the once robust market of manufacturing. In the last century, corporate capitalism has dominated the market, and a culture of CEOs looking out for the bottom line has become the norm. That bottom line has meant shuttering factories, outsourcing jobs to countries with cheap labor, or allotting certain responsibilities to computers. Labor unions have dwindled to representing 12.1 percent of the working population, and, according to a recent Brookings Institution paper, the portion of the U.S. workforce employed in manual labor makes up less than a quarter of the population: down from more than a third in the 1940s.

The opposite is true for white-collar jobs, which traditionally require a college degree: the percentage of workers holding such jobs has almost doubled in the same period of time and now encompasses 60 percent of the population. Jobs that don’t require a college education but that still can be counted on to generate a living wage are increasingly scarce. Sociologist Larry Bartels defines today’s working class as the group of Americans without college degrees. In 1940, 95 percent of adults age twenty-five and older fit into this group; now, 54 percent have some college education, with 29 percent holding at least a BA. Though many more people are attending college—and feeling that they must class plays a pivotal role in being able to obtain a degree. While college may be viewed by some as a meritocracy in itself, getting there is another matter. Class-based circumstances, like good school districts, the option of SAT prep classes, and parental assistance, go a long way toward garnering acceptance at a university. A lack of these options can add to the later dilemma faced by many Americans who, though aware of employers’ expectations of a degree, cannot or choose not to undertake the large all but guarantees.

Issues like race and gender are also central to the unease some feel when discussing social class. Both have been major barriers to social equality in American society, and Iaccarino believes that they have acted as a proxy for barriers based on class. Allowing ourselves to believe that there are no class barriers to upward mobility allows us to maintain a certain obliviousness to the economic structure of our society. Historically, this has encouraged working-class whites to focus on the issue of race rather than class, channeling economic frustrations into racism. History is full of moments when Americans, instead of banding together to fight economic exploitation, sought out ethnic solidarity instead. For example, the nineteenth-century theater form known as minstrelsy—skits that depicted impoverished black and, initially, Irish cultures as ignorant, lazy, or childlike—began as a forum for white Americans to mock the poorest members of society. The form was also used by Irish immigrants, who were eager to highlight their white ethnicity and Americanism, and, in doing so, carve out a better place for themselves in American society by identifying with their white economic oppressors.

“If there is a divide in American society, it is not between classes, but between groups of whites,” Iaccarino says. “The poor whites identify with rich whites because of the color of their skin. This gives a sense of belonging and participation in society, so what we have is not a lower class, but a lower race.” Given the multitude of historic obstacles to race and gender equality in American society, certain class issues have been explained away through discrimination. For example, if there is a large population of working-class African Americans who have not yet benefited from a meritocracy, this might be attributed to America’s history of slavery and racism, rather than as evidence that class barriers exist.

American exceptionalism puts working-class whites, who’ve historically faced fewer barriers to mobility, in an untenable position. Val Burris, professor of socioeconomics at the University of Oregon, says, “I think [working-class whites] do push some buttons, create some anxieties, because there’s not a good way to reconcile their existence within this ideology.” The number of white males who remain “working class” could indicate that our economic system, though open to the idea of mobility, is still very much dependent on the educational and occupational options you were born into, as much as anything else. However, the ideology of exceptionalism can also be used to explain away this threat of acknowledging the existence of entrenched social classes, as it allows Americans to view those in the working or lower classes not as being disenfranchised, but as having failed because of a lack of ambition, laziness, or some other personal flaw that can’t necessarily be attributed to society. Burris points out that humor is also used to alleviate the anxiety inspired by this white working- class conundrum—public comedic riffs on “white trash” still elicit guffaws, whereas racist or sexist jokes now tend to spark anger.

Like race, class is a loaded issue, full of questions that are rarely answered. Perhaps people tend to avoid talking about class for fear of being seen either as elitist or revolutionary; given these options, maybe the fact that the majority of people choose to identify with the middle class makes sense. We like—and perhaps need—to hear about and discuss rags-to-riches stories. This is an acceptable way for us to talk about class, as well as a clear example of upward mobility in our society. Compare our pop media with that of England: While British tabloids sell best when reporting rumors about members of the monarchy, U.S. gossip columns cater to America’s appetite for Hollywood—a seemingly perfect example of the endless mobility afforded to a few folks who worked hard (or got lucky).

Are stories like these depicted as achievable in order to deflect attention from the growing economic gulf in the United States? “You don’t want to talk about the actual existing numbers, about the way in which individual incomes are divided between the top 20 percent of the population,” Bybee notes, “because that starts to get people thinking about how economically divided this nation is.” Currently, the United States has the most unequal distribution of income of all high-income nations, with over 40 percent of income in the hands of the richest 10 percent of the population, and only 1.8 percent going to the poorest 10 percent. The richest 1 percent of Americans possesses more wealth than that of the entire bottom 90 percent. And though the vast majority of Americans surveyed in the Pew Research Center study feel that it is more difficult to maintain their standard of living now than it was five years ago, almost two-thirds believe they have surpassed their parents’ standard of living—perhaps an indication of how strongly we subscribe to the American dream.

We live in a society rife with designer clothing knockoff s and creative loan endeavors that make classifying people at first glance almost impossible without a peek at a shirt label or a credit score. And despite sociologists’ admonitions, the term “class” has come to signify status, based on how you live your life and what kind of material possessions you own, even though these things technically have little to do with what economic class you belong to. Perhaps these status indicators give us the impression that mobility is more attainable than ever, making them an important part of the American dream, even while the Pew study reveals that the only major upward shift in middle-income Americans’ economic lives is the amount they borrow: the debt-to-income ratio has more than doubled in the past fifteen years.

Beyond status markers like clothing or cars, there are much deeper signifiers of class barriers that simple material purchases cannot mask. How we talk or present ourselves can immediately communicate much more than we intend, especially in a competitive, white-collar workplace. Accents and regional dialects play a major part in how we read each other; they also can be obstacles to those who want to fi t into an upper-class work environment and who would have to change such aspects of themselves in order to do so. Val Burris says, “There’s a way in which that struggle to redefine oneself—to attain mobility—is an easily frustrated thing that many people retreat from eventually.”

Many of us would like to think that class doesn’t exist in America. We may acknowledge how income, education, wealth, and status affect our lives, but does an individual’s drive to achieve the American dream wane if these factors nullify upward mobility? And if we discuss class, do we have to discuss our own economic exploitation and how we exploit others?

Some experts speculate that Americans’ belief in a meritocratic society may be shifting with the shrinking number of blue-collar jobs. Whether this means that we’re becoming “bitter” is up for debate. Many scholars feel that the American dream prevents class-based bitterness— that we respect billionaires because, theoretically, any of us can become one. But with a stagnant economy and an upper class tucked out of sight in vacation compounds and private jets, maybe admitting to a little bitterness or disillusionment might spark a discussion. Perhaps Obama’s comments about class weren’t as diplomatic as we’ve come to expect from a politician, but they also may have provided a much-needed jolt to our nation’s ongoing conversation about class.

From the Summer 2008 Class issue

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Contributors

Eric Gold

Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.

Kristy Athens

Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.

Rich Wandschneider

Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.

Ellen Santasiero

Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.  

Caroline Cummins

Caroline Cummins is the managing editor of Culinate.com.

Jedidiah Chavez

Jedidiah Chavez is a visual artist and writer based in Portland. His work has been showcased in a variety of venues nationally and in the Pacific Northwest. Chavez was awarded a 2010 project grant by the Regional Arts and Culture Council.

Kristin Kaye

Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.

Eric Gold

Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.

Sarah Gilbert

Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.

Courtney S. Campbell

Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.

Barry Johnson

Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.

Dionisia Morales

Dionisia Morales is a freelance writer and teaches writing at Linn-Benton Community College. Her essays have recently appeared or are forthcoming in CAYLX, Brevity, Cream City Review, and Silk Road.

Wendy Willis

Wendy Willis is a poet, Conversation Project leader, and the executive director of the Policy Consensus Initiative and the deputy director for Research and Development at the National Policy Consensus Center at Portland State University. Her book of poems, Blood Sisters of the Republic, is forthcoming from Press 53 in fall 2012.

Carl Abbott

Carl Abbott is professor of urban studies and planning at Portland State University. A specialist on the history of cities, his recent books include Frontiers Past and Future: Science Fiction and the American West and Portland in Three Centuries: The Place and the People.

Monica Drake

Monica Drake is the author of Clown Girl (Hawthorne Books),which was optioned for film by Kristen Wiig. Her next novel, The Stud Book, is forthcoming from Hogarth Press in February 2013.

Tara Rae Miner

Tara Rae Miner is a writer and freelance writer and editor, former managing editor of Orion magazine, and author of Your Green Abode: A Practical Guide to a Sustainable Home. She lives with her family in Portland.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).

Rebecca Hartman

Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.

Dmae Roberts

Dmae Roberts is an award-winning independent radio producer and writer based in Portland.

Jennifer Ruth

Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.

Richard J. Ellis

Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.

Leigh van der Werff

After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.

Joanne Mulcahy

Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.

Marion Goldman

Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.

Guy Maynard

Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.

Kambiz GhaneaBassiri

Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.

Tim DuRoche

Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.

Walidah Imarisha

Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.

Kim Stafford

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.

Debra Gwartney

Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.

Susan Meyers

After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.

Matthew Stadler

Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.

Amanda Waldroupe

Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).

Todd Schwartz

Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)

Courtenay Hameister

Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.

Ariel Gore

Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.

Jamie Passaro

Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).

Andrew Guest

Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.

David Bragdon

David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.

M. Allen Cunningham

M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.

Bette Lynch Husted

Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004)  and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.

Bob Bussel

Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.

Dave Weich

Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.

Camela Raymond

Camela Raymond is a Portland-based writer whose work has appeared in Modern Painters, Plazm, the Oregonian, and elsewhere. She was previously an editor at Portland Monthly magazine and the founding editor/publisher of the Organ. She serves on the editorial advisory board of Oregon Humanities magazine.

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.

Karen Karbo

Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.

Lisa Radon

Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.

R. Gregory Nokes

R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.

Christine Dupres

Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.

Apricot Irving

Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.

Vicente Martinez

Vicente Martinez lives in Portland and works at a fast food restaurant.

Susan W. Hardwick

Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.

Sarah Gilbert

Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.

Kevin Nute

Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).

Brian Doyle

Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.