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Oregon Humanities: Spring 2012

Love Thy Neighbor (Sometimes)
A close-knit neighborhood can make us happy, but it can also add to the busy-ness of daily life

Two springs ago, my family and I—like thousands of other homeowners marching to the beat of a homemade Michael Pollan-drum—dug up the lawn in our front yard and planted a vegetable garden.

Our reasons were simple. We were spending too much money on organic fruits and vegetables every week, and too often we threw away moldy cukes or wilted kale—that glum slog—from crisper to compost. And we thought it would be fun to teach our kids how to grow food.

Indeed, we felt righteous that first summer padding outside with the colander and kitchen scissors before every meal. For first-time gardeners like us, every plant hatched from seed was a surprise and a miracle. “We GREW this!” we were constantly exclaiming over mouthfuls of snap peas or chard. The basil was abundant, the kale reliable, the cherry tomatoes like candy, the lettuces as good as any you’d find at a farmers’ market. But the biggest surprise of all, and one of the best things about this garden, is the way our neighbors and random passersby have responded to it.

One way to describe it is that the garden makes people happy and it makes them want to talk with us. It’s a leafy social lubricant. After living with a weedy front lawn for ten years, we’re still in shock at how a few raised wooden beds and some pea gravel can elicit so much talk. The way people have dawdled over it, you’d think we’d done something more extravagant or unusual.

The garden hasn’t changed the way we interact with immediate neighbors, who tend to gather on the sidewalk or in front yards after work or on weekends when the weather is good, which is mostly in the summer. It would be hard not to know these neighbors since our houses are so close together, close enough that if we’re outside, we can hear it when someone is clipping his toenails on his front porch.

But the garden has helped introduce us to people from other blocks, people with whom, pre-garden, we merely nodded hello as we passed on the sidewalk. These neighbors stop and talk about what we’re growing, and the conversation usually meanders into the territory of children, families, and work until it peters out or we have to go inside to answer a phone or rescue something from the oven. One person left us a used food processor on the front porch when I told her we were making pesto, one small batch at a time, in a blender. (In a blender!) The gift left me feeling exposed and a little bit embarrassed but also very well taken care of.

My theory about the garden is that it gives people a reason to linger on their walk home from the neighborhood pub or on their nightly dog walk. I see them hanging out most often in those hours between dinner and bedtime when nothing much is happening. They’ll stand at the thigh-high fence pointing at the basil patch or admiring the walkway we made from old wine bottles. If I’m on the front porch, they’ll usually throw out a compliment or ask me a question, and, if I’m in the mood, I’ll wander down the path and talk with them.

In our mostly residential, middle-class neighborhood, the garden is like a “third place”—a term coined by sociologist Ray Oldenburg in his book The Great, Good Place to describe a gathering spot that’s not home (first place) or work (second place). It’s a noncommittal visiting zone where people can socialize without breaching the privacy of anyone’s home. Though Oldenburg uses the examples of bars and coffee shops to describe these places; an inviting garden or an open porch can function in the same way. The Starbucks down the street uses a business plan around this third-place concept, and we’re giving it away for free in the yard.

The third place makes sense not because we want to spend all our free time with neighbors, but because we don’t. It’s a destination when you’re in the mood to socialize, a place where you can meet other people in the same mood.

One of my favorite neighbors is a college professor with a preschool-aged son. She is one of those people who will give you an honest, unedited answer when asked how she’s doing and will elicit the same from you. And she has this great way of elevating whatever conversation we’re having into something bigger, pulling in something interesting she heard at a conference or in the classroom or read in The New Yorker. She is one of the few neighbors who will knock on the door unannounced. I love the neighborliness of this, and I know she expects us to do the same and never answers the door with the strained smile I offer sometimes. But occasionally she will drop by with her son when we’re trying to leave the house or right before the girls—who adore her son—are about to nap. It doesn’t take a minute for our children to get entangled in play and for us to get caught up in a conversation.

The discomfort I feel during such times speaks less about her and more about my clumsy inability to communicate what I’m thinking: “I love spending time with you, but this is not a good time.” If I turn her away, will she think I’m a bad neighbor? Will she stop dropping by without calling? But, wait, isn’t that what I want?

This is why the third place makes so much sense. Though neighbors are the reason we live in a neighborhood, actually talking with a neighbor is often left to chance encounters on the sidewalk, especially in the winter when everyone rushes inside from their cars or bikes after work. Even in the summer, it can be awkward to strike up a conversation with someone—stranger or neighbor—just for the sake of having a conversation. Real life isn’t like Seinfeld or the dorms; we’ve got too much stuff to do, too many places to be. But much of the current research on happiness says that people are, on the whole, much happier when they have many friends and social groups—so shouldn’t we spend more time on these interactions rather than hurrying through them?

When we were vacationing in Mexico a couple of years ago, each morning and evening we watched a group of men gather on a dock near our rental house. They leaned against a waist-high wall. They looked at each other, looked at their feet, looked out at the boats coming in, the metal tanks of fuel being loaded and unloaded—not even the pretense of coffee or drinks to keep them there. I could see them laughing sometimes, not saying anything at all at other times. By body language I could tell they were comfortable with lulls in the conversation and not antsy to move on. I loved the honesty of it, the acknowledgement that people need to be around other people, even when they don’t have anything to say or do.

I am, no doubt, idealizing their purposes for hanging out there. As my husband points out, maybe they didn’t have anything else to do or anywhere else to be. Both are likely, but neither diminishes my fascination with how normal that gathering was in a remote fishing village in Mexico, yet how unusual it would be in my neighborhood for a group of unrelated people to gather morning and night with no purpose other than to be with one another, to watch the goings on in the village, to nod at passersby.

In his book Outliers, Malcolm Gladwell writes about a group of Italians who moved to Pennsylvania in 1882 and built a town similar to their hometown in Italy (both named Roseto). It eventually attracted twelve hundred more Italian immigrants, creating an ethnic enclave. When a doctor studied the residents of Roseto, Pennsylvania, in the 1960s, he found almost no incidents of heart attacks and heart disease, as well as no suicide, no alcoholism or drug addiction, and little crime. In studying the reasons, he and his sociologist colleagues were perplexed. The Italians didn’t eat particularly healthfully—many consumed lots of meat and carbs—and many smoked heavily. They didn’t exercise much, either.

What researchers found was that, in general, the townspeople were happy. They saw each other daily, visiting in the street and in their backyards. Many households included three generations living together. There were twenty-two civic organizations in a town of two thousand people. One of the sociologists, John Bruhn, says, “I remember going to Roseto for the first time … all the bakeries, the people walking up and down the street, sitting on their porches talking to each other. … It was magical.” Isn’t this the kind of magic so many of us want, except we don’t want to live in the same town as our families, and we want time alone everyday to surf the Internet and connect with our friends on Facebook?

So many days we’re too busy with work, errands, and chores to stop and talk with our neighbors. My daughters and I tend to see people more on the days when I’m not pushing us back toward home, the car, or our bikes with some deadline looming over us. When we just hang out, we have purposeless conversations that often lead to interesting places (So many artists in the neighborhood—what about an art camp for kids? Or painting murals in the intersection?), or the kids end up getting naked and running through someone’s sprinkler, or we learn something interesting about someone we’ve known for years.

And, honestly, I’m torn. I get more done on the days I keep my head down and hustle the kids into the house. Sometimes getting stuff done has its own satisfaction. Who doesn’t get a little burst of happiness by crossing something off her to-do list?

It takes a lot of time to keep up with the neighbors and participate in your community, while also keeping up with your friends, your spouse, your kids, and your extended family, as well as holding down a job and keeping your house relatively clean and stocked with food. Maybe those Italian Americans in Pennsylvania were healthy and happy because they could accomplish all of these things by walking within a five-block radius of their homes. There was no need to send a birthday package or to drive across town for the party. The party was down the street.

There is a distinct joy in keeping your world small, in living most of your life within blocks of your home as those Italians did, in seeing your postal carrier at the restaurant around the corner or walking to the fish market where your neighbor works and walking home again with tuna for dinner. I can’t explain why all of this makes me happy—and I know it might be someone else’s version of hell—but it does.

So, most summer nights, you’ll find us on our porch or in the garden. We could be in the back yard enjoying the privacy and more space, but it’s more fun to see people and talk with them in that agendaless way. And when winter comes and the garden turns to muck, we’re also happy to go inside where it’s just us again.

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Contributors

Eric Gold

Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.

Kristy Athens

Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.

Rich Wandschneider

Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.

Ellen Santasiero

Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.  

Caroline Cummins

Caroline Cummins is the managing editor of Culinate.com.

Jedidiah Chavez

Jedidiah Chavez is a visual artist and writer based in Portland. His work has been showcased in a variety of venues nationally and in the Pacific Northwest. Chavez was awarded a 2010 project grant by the Regional Arts and Culture Council.

Kristin Kaye

Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.

Eric Gold

Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.

Sarah Gilbert

Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.

Courtney S. Campbell

Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.

Barry Johnson

Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.

Dionisia Morales

Dionisia Morales is a freelance writer and teaches writing at Linn-Benton Community College. Her essays have recently appeared or are forthcoming in CAYLX, Brevity, Cream City Review, and Silk Road.

Wendy Willis

Wendy Willis is a poet, Conversation Project leader, and the executive director of the Policy Consensus Initiative and the deputy director for Research and Development at the National Policy Consensus Center at Portland State University. Her book of poems, Blood Sisters of the Republic, is forthcoming from Press 53 in fall 2012.

Carl Abbott

Carl Abbott is professor of urban studies and planning at Portland State University. A specialist on the history of cities, his recent books include Frontiers Past and Future: Science Fiction and the American West and Portland in Three Centuries: The Place and the People.

Monica Drake

Monica Drake is the author of Clown Girl (Hawthorne Books),which was optioned for film by Kristen Wiig. Her next novel, The Stud Book, is forthcoming from Hogarth Press in February 2013.

Tara Rae Miner

Tara Rae Miner is a writer and freelance writer and editor, former managing editor of Orion magazine, and author of Your Green Abode: A Practical Guide to a Sustainable Home. She lives with her family in Portland.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).

Rebecca Hartman

Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.

Dmae Roberts

Dmae Roberts is an award-winning independent radio producer and writer based in Portland.

Jennifer Ruth

Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.

Richard J. Ellis

Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.

Leigh van der Werff

After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.

Joanne Mulcahy

Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.

Marion Goldman

Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.

Guy Maynard

Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.

Kambiz GhaneaBassiri

Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.

Tim DuRoche

Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.

Walidah Imarisha

Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.

Kim Stafford

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.

Debra Gwartney

Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.

Susan Meyers

After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.

Matthew Stadler

Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.

Amanda Waldroupe

Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).

Todd Schwartz

Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)

Courtenay Hameister

Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.

Ariel Gore

Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.

Jamie Passaro

Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).

Andrew Guest

Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.

David Bragdon

David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.

M. Allen Cunningham

M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.

Bette Lynch Husted

Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004)  and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.

Bob Bussel

Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.

Dave Weich

Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.

Camela Raymond

Camela Raymond is a Portland-based writer whose work has appeared in Modern Painters, Plazm, the Oregonian, and elsewhere. She was previously an editor at Portland Monthly magazine and the founding editor/publisher of the Organ. She serves on the editorial advisory board of Oregon Humanities magazine.

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.

Karen Karbo

Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.

Lisa Radon

Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.

R. Gregory Nokes

R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.

Christine Dupres

Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.

Apricot Irving

Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.

Vicente Martinez

Vicente Martinez lives in Portland and works at a fast food restaurant.

Susan W. Hardwick

Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.

Sarah Gilbert

Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.

Kevin Nute

Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).

Brian Doyle

Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.