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Oregon Humanities: Spring 2012

Blank Slate
In a single day, a forty-year-old man finds himself unmarried and unemployed. What to do next?

Ten days after my fortieth birthday, I walked from the county courthouse in downtown Portland to the office of my former employer. At the courthouse, I signed my divorce papers. Several blocks away, I signed my severance package.

At such moments, a person will take inventory. Mine counted no job, no wife, and no children. Responsibilities numbered a cat, a dog, and a reasonable fixed mortgage on a house that I adored. This was in August of 2009. The job market sucked, but my savings, buffeted by a generous exit check, would cover me beyond the end of the year. Longer if I skimped.

I pursued no leads, filed no applications, distributed no résumés, and ignored job-listing services. A startling fact soon dawned on me: this would be my first summer vacation without a job since junior high.

The writer Richard Ford once told me, “Characters, to me, the ones I write, aren’t persuasive till I can postulate what they do for a living.” I was interviewing him for a Portland bookstore’s website. That’s what I did for a living, or part of what I did, the part I liked best.

Ford continued, “I’m sure that comes out of being from a family of working people, being told all my life about what this guy did for a living and that guy did for a living. How he made his money. What he did before. What his aspirations were. That, for me, was the thing that made a person have a kind of anchorage into something other than the fluff of life.”
My family lives three thousand miles away, in New England. A brother, a sister, cousins, uncles, aunts, nephews, nieces—pretty much all of my relatives, except me. My parents have had the same phone number since I started nursery school.

Years ago, my brother founded a software company in our hometown. Now my sister works there, too. One cousin is a public defender; recently her husband put away his saxophone and returned to school for a nursing degree. Another cousin sells technology for weapons manufacturers, or something like that. My uncle is an actor when he’s not teaching. My father, retired for barely a year, likes to say that he started out an engineer but wound up selling women’s underwear. In October, my parents came to visit. We rented a minivan and spent six days driving up the Oregon coast. I brought a tape recorder.

As we set out on the highway, my father, in the passenger seat, listed every job he’d ever worked. We had agreed to start an interview this way, with chronology. Occasionally, my mother would correct him or fill in blanks from the back seat.

The first job my father could recall, his “first chance at remunerative employment,” was “working for a movie theater in Coral Gables, Florida,” he said, “when I was about nine years old, where I held the position of executive director of filling the candy bags they gave to kids at Saturday-morning matinees.” Among the paying gigs that followed: picking avocados off trees planted by the city and selling them door-to-door (“nobody else was using them”); delivering pharmaceuticals for a drugstore to its neighborhood clientele (on his bicycle, age eleven); dishwasher at a soda fountain; Christmas card salesman; ice cream truck driver; camp counselor; waiter; and draftsman in an engineering shop where, he remembers, “Every week when we got paid, we would play poker with the serial numbers on the checks. Everybody would put a dollar in. Somebody would win the lottery—a lot of money! And when you won you not only got the money, but you wouldn’t have to work the next week because someone had to run the lottery.” We’d traveled fifty miles before he graduated college.

What I learned about my father is that he never stopped working, not for more than a few weeks. He doesn’t like being bossed around and so always sought positions of leadership. He’s comfortable making important decisions on the fly (which isn’t to say that he doesn’t try to forecast the consequences). He’s proud of the work he’s done, but you get the feeling that he’s still somewhat amazed he pulled it all off. Imagine the expression of a long-distance runner, marveling at the finish-line tape across his chest.
On the day before he and my mother flew home, we visited the local chapter of a nonprofit to which he’s been donating time and advice. These days my father is also trying to figure out what to do with his time.

What a mindfuck it must be to retire.

***

Twelve years ago, my girlfriend and I moved to Portland; eight years later, we married. The company that I no longer work for was my first and only employer in Oregon.

But on that day last August, I was suddenly staring at a blank slate.

In the service of my own priorities, what would I do?

When had I last reckoned with priorities wholly my own? Without a boss to please, or a place to be—alone? What choices would I make? Had I ever been so unencumbered? Would I ever be again?

My friend Vitz and I met in eighth grade but didn’t become close until after high school. In our meandering twenties, we shared apartments in three states. Ten years ago, he followed me to Portland. On a weeknight last summer, we were drinking in my backyard, one of many such nights.

“Exciting plans for tomorrow?” Vitz asked. Already the first stars had come out. Before long, with the change of season, it would be too cloudy to see them at all.
“Hiking at the coast. I’ve been to the mountains twice in a row.”

Vitz and his wife have a one-year-old daughter. This month, they bought a house less than a mile from mine, which they hope to inhabit at least until their daughter finishes high school. They are taking the long view.

We keep in touch with the friends of our youth who live in Atlanta, Philadelphia, Savannah, Paris. We meet them for occasional long weekends and weddings, and make plans when our paths cross on business. We try to get to know their spouses and remember their kids’ names. But the friends we’ve made in our grown-up years live in Portland.

“Do you think you’ll move?” Vitz wanted to know. To New York, he meant, where jobs might be more plentiful. What I wanted—what I want still—is to remove the land between Oregon and Massachusetts, to live in Portland and be only a short drive from my family. But I knew that I wouldn’t leave if I could help it, not if the opportunity for sustaining work presented itself here.

***

Obviously, what you do for a living tends to dictate your financial status. Children recognize this long before they fill out a W-2. Arguably of equal importance, however, is the fact that your employment determines where you spend a third of your waking hours (possibly more) and with whom (do not discount the with whom). Less obviously, a job orients your brain toward particular ideas and perspectives. Whether you enjoy the work or not, whether you apprenticed for years to attain your position or stumbled into it ass-backwards, you will find yourself immersed in its subculture, captive to its peculiar stresses and satisfactions. Some jobs make demands on your body; most demand a sizable share of your brain.

More insidiously, your job (or jobs, because let’s face it, many don’t supply the hours or wages to survive, much less prosper) shapes your not-at-work life. Do you get weekends off? Nights? How much vacation time can you take? What diversions can you afford? Who are your peers? Are you proud of what you do?

“Would you say that you’re married to your work?” I asked a friend who’d been dreading her company’s holiday party. It was November now. I wanted to know what motivated her. How did she explain the overtime hours to her spouse and to herself? We all construct stories, some more elaborate than others, to justify our decisions.

She threw the question back at me, but rarely can I muster adequate answers to the questions I inflict on others. “I’m married to the promise of enjoying work hours,” I told her after much consideration. “Or at least married to the idea of putting them to good use.”

***

On the first workday after New Year’s, I launched a new company. Apparently my father and brother aren’t the only ones who like to lead. From the moment I registered the business, it seemed the right thing to do—but it wasn’t until weeks later that I knew for sure.

In my previous position, my department had been trying for years—literally, five or six years—to revise our outdated mission statement. Despite a mandate from the executive team, input from consultants, and repeated attempts, we never succeeded. With so many disparate voices and so much change afoot in the industry, we couldn’t agree where the nearly four-decade-old business should stake its future.

I wrote my new company’s mission statement in fifteen minutes. It came out almost entirely whole. Of course it did. For the first time in memory, I was speaking for myself.

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Contributors

Eric Gold

Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.

Kristy Athens

Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.

Rich Wandschneider

Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.

Ellen Santasiero

Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.  

Caroline Cummins

Caroline Cummins is the managing editor of Culinate.com.

Jedidiah Chavez

Jedidiah Chavez is a visual artist and writer based in Portland. His work has been showcased in a variety of venues nationally and in the Pacific Northwest. Chavez was awarded a 2010 project grant by the Regional Arts and Culture Council.

Kristin Kaye

Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.

Eric Gold

Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.

Sarah Gilbert

Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.

Courtney S. Campbell

Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.

Barry Johnson

Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.

Dionisia Morales

Dionisia Morales is a freelance writer and teaches writing at Linn-Benton Community College. Her essays have recently appeared or are forthcoming in CAYLX, Brevity, Cream City Review, and Silk Road.

Wendy Willis

Wendy Willis is a poet, Conversation Project leader, and the executive director of the Policy Consensus Initiative and the deputy director for Research and Development at the National Policy Consensus Center at Portland State University. Her book of poems, Blood Sisters of the Republic, is forthcoming from Press 53 in fall 2012.

Carl Abbott

Carl Abbott is professor of urban studies and planning at Portland State University. A specialist on the history of cities, his recent books include Frontiers Past and Future: Science Fiction and the American West and Portland in Three Centuries: The Place and the People.

Monica Drake

Monica Drake is the author of Clown Girl (Hawthorne Books),which was optioned for film by Kristen Wiig. Her next novel, The Stud Book, is forthcoming from Hogarth Press in February 2013.

Tara Rae Miner

Tara Rae Miner is a writer and freelance writer and editor, former managing editor of Orion magazine, and author of Your Green Abode: A Practical Guide to a Sustainable Home. She lives with her family in Portland.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).

Rebecca Hartman

Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.

Dmae Roberts

Dmae Roberts is an award-winning independent radio producer and writer based in Portland.

Jennifer Ruth

Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.

Richard J. Ellis

Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.

Leigh van der Werff

After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.

Joanne Mulcahy

Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.

Marion Goldman

Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.

Guy Maynard

Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.

Kambiz GhaneaBassiri

Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.

Tim DuRoche

Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.

Walidah Imarisha

Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.

Kim Stafford

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.

Debra Gwartney

Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.

Susan Meyers

After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.

Matthew Stadler

Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.

Amanda Waldroupe

Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).

Todd Schwartz

Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)

Courtenay Hameister

Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.

Ariel Gore

Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.

Jamie Passaro

Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).

Andrew Guest

Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.

David Bragdon

David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.

M. Allen Cunningham

M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.

Bette Lynch Husted

Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004)  and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.

Bob Bussel

Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.

Dave Weich

Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.

Camela Raymond

Camela Raymond is a Portland-based writer whose work has appeared in Modern Painters, Plazm, the Oregonian, and elsewhere. She was previously an editor at Portland Monthly magazine and the founding editor/publisher of the Organ. She serves on the editorial advisory board of Oregon Humanities magazine.

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.

Karen Karbo

Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.

Lisa Radon

Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.

R. Gregory Nokes

R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.

Christine Dupres

Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.

Apricot Irving

Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.

Vicente Martinez

Vicente Martinez lives in Portland and works at a fast food restaurant.

Susan W. Hardwick

Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.

Sarah Gilbert

Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.

Kevin Nute

Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).

Brian Doyle

Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.