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Oregon Humanities: Spring 2012

Continual Watching
Oregon’s long history of protecting workers

In a recent fact sheet outlining highlights from its first year under new leadership, the U.S. Department of Labor (DOL) declared that it was “Back in the Enforcement Business.” DOL went on to describe some of the new initiatives it has undertaken to protect American workers, including hiring more staff to enforce occupational safety regulations, taking steps to ensure that workers are properly classified as employees rather than independent contractors, and launching a special effort to counter black lung disease.

After eight years of the Bush administration’s relaxed approach toward labor law enforcement, this assertive use of regulatory authority by the Obama administration has reignited a longstanding American debate about the appropriate role of government in workplace affairs. This debate gained additional urgency following the April 2010 explosions that resulted in the deaths of twenty-nine coal miners in West Virginia and eleven oil-rig workers in the Gulf of Mexico. These disturbing incidents prompted intensive reviews of the nation’s regulatory apparatus and raised anew the question of how best to ensure the safety and security of American workers.

In this context, the history of the Oregon Bureau of Labor and Industries (BOLI) offers some valuable insights into the evolution of state intervention in the workplace and recent changes in the employment relationship that have undercut long-established protections for workers. BOLI’s rich history not only reflects broader social trends but also illuminates distinctive elements of Oregon’s political culture that have shaped its approach to protecting workers and regulating employer behavior.

Established in 1903 and initially known as the Oregon Bureau of Labor, BOLI was a quintessential product of the Progressive Era—a time similar to our own, when questions about undue corporate influence over economic and political affairs captured public attention. In response to the rise of industrial capitalism and the fierce class conflict that had raged across the United States during the late-nineteenth and early-twentieth centuries, a consensus had formed among politicians, civic leaders, intellectuals, and unions about a broad set of reforms that would regulate corporate behavior, limit industrial strife, and improve the lives of workers. Muckraking journalists and social crusaders further fueled demand for reform with exposés of corporate and political corruption and portrayals of the harsh conditions faced by workers in the nation’s mills, mines, and factories. These exploitations included the widespread use of child labor, excessively long work hours, and unregulated exposure to dangerous machinery and other workplace hazards. The Progressive belief that government should act as a referee to protect the interests of workers and consumers gained additional momentum when citizens, most notably in the western United States, sought to assert popular will through aggressive use of the initiative and referendum process. As a result, government began to regulate business conduct more closely, and expanded notions of workers’ rights entered public awareness.

Many states, including Oregon, established agencies to oversee the conduct of labor relations and industrial affairs. The Oregon Legislature approved formation of the Bureau of Labor on February 24, 1903, with bipartisan support. Proponents hoped that the new agency charged with enforcing “all laws enacted for the protection of the working classes” would help Oregon avoid the bitter labor conflicts that had marked the previous decade, including an epic strike by steel workers in Homestead, Pennsylvania (1892), and national walkouts by Pullman Sleeping Car employees (1894) and anthracite coal miners (1902). Reflecting the Progressive belief that class conflict undermined efficiency and productivity, advocates declared that the Bureau of Labor would “save a large amount of wealth that is wasted in discord between capital and labor.” In order to maintain the social consensus and equilibrium prized by most Oregonians, policy makers also regarded protective legislation for workers as an essential deterrent to civil unrest. Oregon was the first state in the nation to enact an enforceable minimum wage law (1913) and to create a Board of Conciliation and Arbitration (1919) to mediate labor-management relations. The belief that government should regulate employer behavior and protect workers helped to define a modernizing political culture committed to nurturing social stability as a prerequisite for sustained economic growth and shared prosperity. Guided by these assumptions, the Bureau of Labor began to develop a regulatory apparatus to monitor employer behavior and ensure fair treatment for Oregon’s workers.

For much of its history, BOLI has been led by capable, high-profile commissioners who have served lengthy terms in office and aggressively pursued the agency’s mission of protecting working Oregonians. In conceptualizing the new agency’s approach, O. P. Hoff, the bureau’s first commissioner, favored conciliation over confrontation in his dealings with employers. However, his views quickly changed. Upon learning of an accident in which a $0.25 expenditure could have prevented a saw from slipping and slicing open a worker’s abdomen, Hoff expressed anger over the employer’s negligence. After his initial inspections revealed dangerous or unsafe conditions in 653 of the 673 workplaces he visited, Hoff pressed the legislature to grant him expanded enforcement powers. In 1907, the legislature approved his request that employers be fined for failure to remedy hazardous conditions and held liable for damages in the event of willful violations.

The bureau’s expanded powers and improved staffing yielded almost immediate results: Hoff reported a 30 percent reduction in accidents in 1908. Three years later, however, he found that more than five thousand accidents had still occurred in Oregon workplaces and concluded that “factory laws cannot be too rigidly enforced.” This commitment to vigilant monitoring and vigorous enforcement became a hallmark of the bureau’s approach, which has remained consistent throughout its history. Over time and often instigated by BOLI, the legislature has assigned the agency added responsibilities and granted it new enforcement powers to ensure that working Oregonians would be treated fairly and have recourse when they believed employers were violating their rights.

One of the most fundamental aspects of the employment relationship is the prompt and fair payment of wages, which has been an enduring concern for BOLI. Charles Gram, Hoff’s successor as labor commissioner, succinctly explained the rationale behind the bureau’s aggressive approach toward dealing with wage claims filed by workers: “When a man sells his labor power and that is his only resource and [he] is then unable to realize on it, a wretched state of affairs is at once created.” Moreover, Gram asserted, failure to pay owed wages robbed workers of the self-respect associated with productive labor, reduced consumer dollars spent in communities, sowed seeds of distrust, and threatened to “encourage and breed dangerous radicalism.” Underscoring the commitment of Oregon’s political leaders to reduce class conflict, create positive relations between labor and management, and promote the social trust needed for economic progress, the bureau has sought wages on behalf of a variety of workers, especially those who have lacked union representation or other institutional means to counter the power and unscrupulous practices of their employers.

One of BOLI’s early efforts to secure back wages came during Hoff’s vigorous campaign in the early 1900s against “crimping,” a collusive arrangement between ship captains and boarding house owners that induced sailors to desert ship and allowed the conspirators to pocket their unpaid wages. Later, Mary Wendy Roberts, who served as BOLI commissioner from 1979 to 1994, debarred farm labor contractors for failure to provide workers with written contracts and also gained compensation for farm workers who had not been paid the minimum wage. During a 1986 wage claim case against a small plywood company, Roberts underscored the bureau’s historic determination to ensure that workers were paid for their labor: “The wages of these thirty workers may seem insignificant to some, but we are dealing with the fundamental rights of workers to be compensated for their labor…. We must not leave these workers without an advocate.”

This commitment to securing unpaid wages has continued to the present day. In a May 2010 ruling that ordered a fitness company to post a payroll bond after numerous failures to pay its workers on time, Oregon’s current labor commissioner, Brad Avakian, offered an additional rationale for the bureau’s staunch commitment to enforcing timely wage payments: “hardworking employers who comply with every legal requirement, no matter how bad the economy, shouldn’t have to compete with a business that treats deadlines like guidelines.” Along with assuring wage payment for workers, Avakian argued, BOLI also had a responsibility to create a level playing field for employers and prevent unscrupulous businesses from gaining an unfair advantage.

The bureau has also administered Oregon’s Wage Security Fund, created in 1985 in response to a spate of mill closures in the timber industry. With the enactment of this legislation, Oregon became the first state in the nation to set aside funds to compensate workers whose employers went out of business and lacked assets to pay final wages. Since its inception, the fund has distributed more than $17 million to some 16,000 workers. Reflecting Oregonians’ belief that workers should receive some protection from the vagaries of the business cycle, the Wage Security Fund under BOLI’s administration has become an integral part of the state’s social safety net. Its enactment underscored the resilience of the Progressive tradition in Oregon and ran counter to the larger social trend of deregulation and limited government championed by the Reagan administration and its ideological supporters.

In keeping with Oregon’s historical commitment to worker protection as an essential government responsibility, BOLI commissioners have a long tradition of using the office as a bully pulpit to call attention to social problems and insist that moral conscience play a prominent role in shaping public policy. Commenting on the status of Oregon’s teachers, Hoff asked, “Is there not something wrong in our economic affairs that permits those who are training the minds of the children of this commonwealth to be so poorly paid?” At the onset of the Great Depression, Gram bluntly assigned responsibility for the nation’s economic collapse and offered his own vision of what values and standards should guide a social response: “Independent self-sustenance must be advanced as the first and best definition of success and regardless of considerations of business or profit, must be made available to our outcast citizens who have been induced to abandon that standard by the tactics of modern industry.” The titles of reports issued by the bureau in the years following World War II—“And Migrant Problems Demand Attention,” “The Silent Poor,” “They Carry the Burden Alone,” and “Human Beings: Not Faceless Statistics”—called attention to the challenges faced by vulnerable populations such as farm workers, female heads of households, and workers displaced by the decline of manufacturing and extractive industries.

Beyond fulfilling their statutory responsibility to enforce anti-discrimination laws, BOLI commissioners have also forcefully spoken out against all forms of discrimination. In yet another example of Oregon’s expansive use of government authority to protect workers, in 1949 it became the sixth state in the nation to enact a Fair Employment Practices Act, outlawing discrimination in employment. Since then, BOLI commissioners have consistently affirmed the agency’s commitment to countering all forms of discriminatory treatment, responding to local and national pressures from social movements and reflecting a consensual political culture’s efforts to uphold principles of justice and equality essential to preserving social harmony.

For example, after penalizing a tavern owner in 1987 for denying entrance to an African-American patron, Roberts asserted her intention “to send a message to folks that Oregon is not a Mecca to people who practice these [kinds of] discriminatory acts.” In 1995, BOLI commissioner Jack Roberts (no relation) was the only statewide elected official in Oregon to testify in favor of making sexual orientation a protected category under state civil rights law. His successor, Dan Gardner, testified in Bend on behalf of a proposed city ordinance protecting transgendered persons. These instances are just a few examples of BOLI commissioners attempting to awaken the moral conscience of Oregonians to a broader sense of social responsibility and to extend into new arenas the state’s historic role as a protector of workers.

This tradition of arousing the public’s moral conscience continues today as changes in the structure of work and the employment relationship over the last three decades have made many workers, especially those in low-wage occupations, vulnerable to abuse. The shift away from full-time employment to part-time, temporary, and other “semi-formal” work arrangements; the rise of new forms of subcontracting; and the misclassification of workers as independent contractors are among the practices that have led to what scholars and activists describe as “wage theft.” Immigrant workers, especially those who are unauthorized, report a host of abuses. As Portland State University economist Mary King found in a survey of eighty Mexican immigrants living in Oregon, “nearly one-third had not been paid overtime when they were eligible for it, 14 percent had experienced not being paid at all for work they performed, [and] 14 percent had been paid at a rate below the minimum wage.” BOLI’s history suggests that in order to counter the reemergence of these practices, vigilant regulation will be required, along with worker organization, media scrutiny, employer education, and public outcry for change.

Two observations by Gram, BOLI’s longest-serving commissioner, highlight Oregon’s historical approach to protecting workers and illuminate current challenges to making this approach fully operative. “It is our experience,” he explained, “that all the regulations possible will not make one go straight without continual watching if he is not so inclined.” Continual watching, however, also required resources, leading Gram to conclude: “[Our labor] laws have become but promissory notes, impressive to be sure, of the good will of the people of Oregon, but of no avail until translated into reality by proper financial support necessary to a complete administration.”

In recent decades, BOLI and similar agencies at the state and federal level have lacked sufficient resources to pursue fully the continual watching integral to their regulatory mission. A key battleground at the beginning of this new century will be whether or not both financial and ideological support for continual watching is forthcoming so that BOLI can, in the words of Gram’s predecessor, W. E. Kimsey, make its promissory notes “negotiable” and fulfill its duty to protect working Oregonians.

Commentary

Its important to note that the State Labor
Commissioner not only enforces the law but has the power to write and introduce legislation on issues important to protecting workers and insuring a level playing field among employers and enhancing the skilled workforce. As Labor Commissioner, I sponsored the bill that created the Wage Security Fund, for example. Another bill was the Family Medical Leave Law. Oregon has a proud tradition of leading the way in terms of this kind of legislation and part of the reason is that we maintain an independently elected statewide official whose special area of responsibility is reflected in innovative legislation that he/she may advocate throughout the state and advance through the legislative process.

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Contributors

Eric Gold

Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.

Kristy Athens

Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.

Rich Wandschneider

Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.

Ellen Santasiero

Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.  

Caroline Cummins

Caroline Cummins is the managing editor of Culinate.com.

Jedidiah Chavez

Jedidiah Chavez is a visual artist and writer based in Portland. His work has been showcased in a variety of venues nationally and in the Pacific Northwest. Chavez was awarded a 2010 project grant by the Regional Arts and Culture Council.

Kristin Kaye

Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.

Eric Gold

Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.

Sarah Gilbert

Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.

Courtney S. Campbell

Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.

Barry Johnson

Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.

Dionisia Morales

Dionisia Morales is a freelance writer and teaches writing at Linn-Benton Community College. Her essays have recently appeared or are forthcoming in CAYLX, Brevity, Cream City Review, and Silk Road.

Wendy Willis

Wendy Willis is a poet, Conversation Project leader, and the executive director of the Policy Consensus Initiative and the deputy director for Research and Development at the National Policy Consensus Center at Portland State University. Her book of poems, Blood Sisters of the Republic, is forthcoming from Press 53 in fall 2012.

Carl Abbott

Carl Abbott is professor of urban studies and planning at Portland State University. A specialist on the history of cities, his recent books include Frontiers Past and Future: Science Fiction and the American West and Portland in Three Centuries: The Place and the People.

Monica Drake

Monica Drake is the author of Clown Girl (Hawthorne Books),which was optioned for film by Kristen Wiig. Her next novel, The Stud Book, is forthcoming from Hogarth Press in February 2013.

Tara Rae Miner

Tara Rae Miner is a writer and freelance writer and editor, former managing editor of Orion magazine, and author of Your Green Abode: A Practical Guide to a Sustainable Home. She lives with her family in Portland.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).

Rebecca Hartman

Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.

Dmae Roberts

Dmae Roberts is an award-winning independent radio producer and writer based in Portland.

Jennifer Ruth

Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.

Richard J. Ellis

Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.

Leigh van der Werff

After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.

Joanne Mulcahy

Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.

Marion Goldman

Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.

Guy Maynard

Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.

Kambiz GhaneaBassiri

Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.

Tim DuRoche

Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.

Walidah Imarisha

Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.

Kim Stafford

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.

Debra Gwartney

Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.

Susan Meyers

After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.

Matthew Stadler

Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.

Amanda Waldroupe

Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).

Todd Schwartz

Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)

Courtenay Hameister

Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.

Ariel Gore

Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.

Jamie Passaro

Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).

Andrew Guest

Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.

David Bragdon

David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.

M. Allen Cunningham

M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.

Bette Lynch Husted

Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004)  and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.

Bob Bussel

Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.

Dave Weich

Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.

Camela Raymond

Camela Raymond is a Portland-based writer whose work has appeared in Modern Painters, Plazm, the Oregonian, and elsewhere. She was previously an editor at Portland Monthly magazine and the founding editor/publisher of the Organ. She serves on the editorial advisory board of Oregon Humanities magazine.

Scott Nadelson

Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.

Karen Karbo

Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.

Lisa Radon

Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.

R. Gregory Nokes

R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.

Christine Dupres

Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.

Apricot Irving

Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.

Lucy Burningham

Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.

Vicente Martinez

Vicente Martinez lives in Portland and works at a fast food restaurant.

Susan W. Hardwick

Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.

Sarah Gilbert

Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.

Kevin Nute

Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).

Brian Doyle

Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.