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Spring 2012 : Here

Oregon Humanities: Spring 2012
I never know what to bring Madina. The gifts I come up with—a bag of apples, a homemade peach and blueberry tart, a box of sweaters—all seem superfluous when I place them in her hands. She greets me the same way every time I visit, whether or not I have a gift. She pulls me close, the gauzy layers of her head scarf brushing against my cheek, then holds me at arm’s length to study my face. We grin at each other a little foolishly, neither of us sure what to say next, with no common language to bridge the distance.
This afternoon I have brought a peach tart still warm from the oven, and my husband and two sons, ages four and one. Madina takes the pastry from my hands and places it in the refrigerator. I wonder if she even likes peaches. I should have brought something more reminiscent of her African homeland—dates, perhaps, or mangoes.
She is doing laundry when we arrive and only has time to tell her youngest son, Mohammed, to wash some mugs and prepare us a jug of coffee before she ducks behind a gold-colored curtain, a bundle of batik dresses in her arms.
A few minutes later, her son, Ali, stumbles in from the next room, bleary-eyed and grinning as soon as he sees my two boys. He towers over us like a gentle bear, having grown a full six inches since I last saw him two years ago.
“This is Ali,” I explain to my suddenly shy four-year-old. “He knew you when you were a tiny baby. He used to rock you and make you smile.”
He hides his head behind my shoulder and peers out at Ali.
I first met Madina and her four sons at the Portland airport five years ago, before my four-year-old was born. It was past midnight, and they had just completed an unimaginable journey, having left behind the refugee camp in Kenya where they’d spent the past twelve years and flown through London and New York with several dozen other Somali Bantu families, only to end up at a half-empty airport terminal, greeted by strangers.
We had been placed together by a volunteer coordinator from Catholic Charities, one of the three Portland agencies that sponsored the refugee families. Madina and I became friends simply by virtue of the hours we spent together that first year: waiting in doctors’ offices for health records so the boys could start school, deciphering bus maps, struggling through her English language workbooks. Madina, in her forties, was illiterate. As a Bantu woman, she had not been allowed to attend school in Somalia. When, in an ESL class, she finally learned to write her own name, she couldn’t stop smiling. It was as if, by virtue of those few jagged pen strokes, she had attained a new kind of freedom.
Five years later, certain things have become commonplace. Madina now takes several buses from her home in Southeast Portland to an apartment complex in Beaverton, where she babysits the four small children of another Somali Bantu family during the week. On weekends, she returns to her own apartment to check up on her boys. Muse, her oldest son, now has a wife and child of his own. Ali is about to start classes at Portland Community College; several framed photos show him in a green graduation gown, clutching a hard-earned high school diploma. Hassan, who was only twelve when they arrived, will be a senior this year. And Mohammed, still the feistiest of the bunch, is a forward on his high school soccer team.
Two years after Madina settled in Portland, my husband accepted a two-year job transfer to London. We excitedly found renters for our house, renewed our passports, and said our goodbyes. We saw Madina once, on a two-week trip back to Portland to see friends and family, but we’ve been home for over a year now, and this is my first visit to Madina’s house.
Our reception, as always, is gracious. While Madina finishes her chores, Mohammed places a low table in front of us and fills two mugs with steaming ginger coffee. Ali fills us in on all the news.
As we talk, my one-year-old, who hadn’t met Madina before this afternoon, devours her homemade sugar cookies and greedily gulps the bright orange Hawaiian Punch she pours him. He pauses every once in a while to give his delighted hostess a high five, then gets back to his juice.
My older son nibbles his cookie in silence, studying the people who wander in and out of the room.
“Mommy,” he finally asks me, “where is the daddy of this house?”
It’s not an easy question to answer. Where should I start, with the Somali civil war? With what it means to be a refugee?
“He’s dead,” I finally whisper, after a pause.
“Why did he die?” he asks, loudly.
“It’s a very sad story,” I tell him, quietly. “Let’s talk about it later, okay?”
Then Madina, who had disappeared again behind the gold curtain, brings out an old photograph. It is from December 2005 when Madina and her family visited us at our downtown condo to watch the Christmas ships float down the Willamette River. Afterward, I’d raided my sweater drawer for anything to keep them warm on their MAX trip home—it was one of their first winters in Oregon, and their thin, gauzy dresses seemed so ineffectual against the bitter east wind.
My son is delighted by the photo. He’s always amazed when he meets people who knew him when he was a baby. And when Ali puts on a video of Peter Pan, his loyalty to this family is sealed. For several minutes, we all sit mesmerized by the antics of the irate, bumbling father as he stumbles his way across the nursery, scattering blocks and shouting epithets—until the one-year-old manages to find the power button and turns off the screen. While Mohammed fiddles with the controls, the baby wanders outside toward the playground in the courtyard. I follow, leaving the older boy happily ensconced on the couch with his dad, a plate of sugar cookies, Hawaiian Punch, and a video. Pure happiness, American style.
The apartment complex where Madina now lives is an experiment in globalization in the heart of Southeast Portland. It was built by Catholic Charities in 2005 to provide affordable housing for low-income families, and its roughly 250 residents, more than half of whom are refugees, represent seven different language groups and hail from four continents. Almost all, like Madina, have experienced immeasurable loss.
When tribal warfare broke out in Somalia in 1991, the Somali Bantu, who traditionally worked the land and represented the lowest class of agricultural workers, were specifically targeted, both for their land and because of their despised status. Madina’s husband was killed, as well as her sister, her sister’s husband, and countless others from her village. The widowed Madina walked more than three hundred miles with her two small sons across the border into Kenya. She was pregnant at the time. She gave birth to Hassan just after she arrived at the Kakuma refugee camp.
But even in Kakuma, the future was uncertain and far from hopeful—the name itself comes from a Swahili word for “nowhere.” Protein was scarce, and raids from marauding paramilitary groups were commonplace. For ten years, while neighboring African countries refused to grant them citizenship, Madina and her sons waited. Mohammed, the youngest of Madina’s sons, lost his father in the refugee camps. It was only when the U.S. government declared the Somali Bantu eligible for refugee status that hope no longer seemed a luxury item, something beyond the grasp of those barely struggling to survive.
Moving to the United States was a decision that Madina and her sons made without hesitation, but it hasn’t always been an easy adjustment. She worries that her sons will become defiant and ungrounded, abandoning their culture for reckless American autonomy. The boys are unequivocal in their desire to be American. They still speak Af Maay, interspersed with English phrases, and their wives and female cousins dress modestly, but they have no desire to return to the country that scattered their families and destroyed their homes.
In the courtyard, I watch a Southeast Asian man walk between two young girls learning to balance on pink bicycles. He’s wearing a t-shirt that announces, “Proud to be an American.” It reads like a love song to this strange new country that is slowly becoming home.
When we finally wander back inside Madina’s living room, the video is still playing. It has been years since I last watched Peter Pan, and I had forgotten most of it.
“Oh look, it’s Big Ben. Do you remember London?” I ask him.
Madina and the boys know most of the words to the songs, even if they don’t always understand what they mean.
When Peter Pan scratches his head, trying to figure out why none of the Darling children can fly, and declares, “This won’t do. What’s the matter with you? All it takes is faith and trust. Oh! And something I forgot …” a fourteen-year-old Somali Bantu boy, visiting from next door, shouts out, “Dust!”
My son laughs out loud, but I can’t help thinking of alternate meanings of “dust”—ashes to ashes, dust to dust—and of the dusty miles that Madina walked, with a son hanging on each arm and another one in her belly, to get to where she is now. Travel, for her, was not a flight of fancy or a pleasure cruise into the unknown. It was harsh necessity. For her, this American life is a hard-earned privilege.
With pixie dust and images of Neverland dancing across the screen behind us, Madina sits on the couch to talk to me about her most pressing concern. With Ali as her translator, she tells me, “Every day I cry for my daughter and her four children who are still in Somalia. How can I bring them here? Can you help me?”
When Madina first moved to the United States, five years ago, she asked me the same question. At the time, the Catholic Charities volunteer coordinator explained that because Madina’s daughter was in Somalia instead of a refugee camp, she was ineligible for refugee status. Madina herself is not yet a U.S. citizen, and when she asks what she must do to become one, I realize that I have no idea.
I tell Madina, through Ali, that I don’t know how the process works, that I would have to do some research. She nods and looks down at her hands. I don’t know what to say. If one of my own children lived an ocean away, in a war-torn country, to what lengths would I go in order to bring him home? I feel overwhelmed by boundaries that I cannot cross. My two years in London earned me half a dozen new stamps in my passport; Madina’s exile to Portland has cost her a daughter.
As we get up to go, Madina disappears again behind the gold curtain. I’m afraid that I’ve disappointed her. I help Mohammed transfer the now-cold tart to a plate and wash out the baking dish.
“I will eat it tonight,” he says. “The others are fasting.”
“Fasting?” I repeat, suddenly feeling foolish. “Is it Ramadan?”
Mohammed smiles at me indulgently, as one would smile at a child. “You didn’t notice they don’t eat anything?”
“Oh, Mohammed, I’m so sorry. I feel terrible,” I tell him.
“It’s okay. It’s no problem,” he reassures me, an amused grin on his face.
When Madina returns to the living room a few moments later, she has two crisp dollar bills in her hands, which she crumples into my sons’ sticky hands. For me, she has found a toffee-colored scarf with gold sequins, which she places over my head, covering my hair. Some part of me wants to wallow in the familiar guilt—this sense of shame that I, who can flit so easily between countries for little reason other than my own pleasure, can do so little to help a friend’s daughter escape a war-torn country. But if Madina expected more from me than I was able to give, she has already forgiven me. A visiting cousin snaps a photo of us on my camera before we leave.
Madina smiles approvingly when I turn the camera over to show her the miniature image of our faces. “The whole family,” she announces, giving my younger son’s cheeks one last kiss before we say goodbye.
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Staff, advisors, etc.
Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.
Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.
Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.
Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.
Caroline Cummins is the managing editor of Culinate.com.
Jedidiah Chavez is a visual artist and writer based in Portland. His work has been showcased in a variety of venues nationally and in the Pacific Northwest. Chavez was awarded a 2010 project grant by the Regional Arts and Culture Council.
Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.
Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.
Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.
Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.
Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.
Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.
Dionisia Morales is a freelance writer and teaches writing at Linn-Benton Community College. Her essays have recently appeared or are forthcoming in CAYLX, Brevity, Cream City Review, and Silk Road.
Wendy Willis is a poet, Conversation Project leader, and the executive director of the Policy Consensus Initiative and the deputy director for Research and Development at the National Policy Consensus Center at Portland State University. Her book of poems, Blood Sisters of the Republic, is forthcoming from Press 53 in fall 2012.
Carl Abbott is professor of urban studies and planning at Portland State University. A specialist on the history of cities, his recent books include Frontiers Past and Future: Science Fiction and the American West and Portland in Three Centuries: The Place and the People.
Monica Drake is the author of Clown Girl (Hawthorne Books),which was optioned for film by Kristen Wiig. Her next novel, The Stud Book, is forthcoming from Hogarth Press in February 2013.
Tara Rae Miner is a writer and freelance writer and editor, former managing editor of Orion magazine, and author of Your Green Abode: A Practical Guide to a Sustainable Home. She lives with her family in Portland.
John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).
Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.
Dmae Roberts is an award-winning independent radio producer and writer based in Portland.
Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.
Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.
After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.
Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.
Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.
Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.
Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.
Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.
Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.
Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.
Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.
After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.
Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.
Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.
John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).
Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…
Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)
Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.
Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.
Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).
Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.
David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.
M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.
Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004) and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.
Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.
Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.
Camela Raymond is a Portland-based writer whose work has appeared in Modern Painters, Plazm, the Oregonian, and elsewhere. She was previously an editor at Portland Monthly magazine and the founding editor/publisher of the Organ. She serves on the editorial advisory board of Oregon Humanities magazine.
Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.
Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.
Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.
R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.
Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.
Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.
Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.
Vicente Martinez lives in Portland and works at a fast food restaurant.
Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.
Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.
Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).
Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.
Commentary
Hello Apricot,
I heard your radio piece on Haiti on This American Life today. I almost drove off the road when I heard you speak of Limbe, Dr.Hodges and Joanna, the hospital compound. I volunteered there for about a month in 1976, probably before you were born. I still send money to the hospital, but after your piece, I think maybe I should stop.
My son is in radio and did an internship a few summers ago with Ira Glass. Congratulations to you on getting your work aired. Also, I look forward to your book about growing up in Haiti. Please let me know when it comes out.
Sincerely,
Kathy Barnhart
.(JavaScript must be enabled to view this email address) | 29 May at 08:04 PM
Kathy
Thanks for your comments. The hospital compound is indeed a ghost town, compared to how I remember it as a child, but the brevity of the radio piece did not allow me to mention that Joanna is in the process of converting the Hodges’ old house into an orphanage.
I did find the small Haitian clinics very inspiring but I do not want to dismiss Joanna’s long legacy of service in Limbe. She is a remarkable, complicated woman.
Apricot Irving | 16 Sep at 10:31 AM
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