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Spring 2012 : Here

Oregon Humanities: Spring 2012
It was nostalgia that called me to Virginia Yoder’s home in the small Oregon town east of Woodburn that bears her family’s name. It seemed a marvel to me that a person living today could share a last name with a place, but that was the case for Virginia and her large extended family. This connection to place was only part of the reason she appealed to me. The real attraction was eighty-one-year-old Virginia herself and, more specifically, the contents of her pantry.
There must be something primal in the allure of a full pantry, something inherent in the instinct toward species survival. Full pantries mean life, though I doubt you can get the same soul-satisfying experience from a freezer full of Hot Pockets. Given my own predilection for homemade rather than store-bought goods, Virginia’s pantry promised something I had yet to discover but longed for.
I am not sure when I became nostalgic for a rural life that I never lived. While it is possible that a Fasenfest traveled the Oregon Trail, I doubt it. Ours is a small East Coast tribe whose members arrived over wide-open water, not land. Following an obligatory delousing, my forebearers went straight from Ellis Island to a four-story walk-up in the Bronx. Who could blame my mom for finding my attraction to farm life perplexing? “What’s gotten into her?” she must think to herself. “Who needs such work?” I understand. I am often perplexed as well.
But then that is sometimes the point of callings: they confound expectations. Like nostalgia, callings speak to a time and purpose that seem wholly sacred, but they need not be static or frozen like the gilded rose. Better when they are the pulsing blood to a life made manifest in the here and now. Better still when they move us forward.
Standing face to face with Virginia’s full pantry made me blush. Just a few moments earlier I was babbling on about the emotional appeal of putting up the harvest, living in the seasons, and the opportunities inherent in homesteading, my position mostly theory, a thing of notion and hope. But standing there—amid the ten-gallon buckets of dried fruit from every season and jars of everything from applesauce and peaches to green beans and pickles, sauces and soups, canned tuna and sausage—my earlier words seemed like shameful conceptual dribble.
Gratefully, Virginia’s perspective was free of such high-minded notions. Her reasons for early homesteading were strong and steady—like Virginia herself: “It’s what folks needed to do. It’s how they ate.” Such a declaration rang clear of enviro-speak, which is not to say there were no stories of seasons and stewardship: they just weren’t as precious as the ones we city folks tell.
In the simplest terms, early homesteading, and all manner of family farming since, was about the intimate relationship between our species and those found within the boundaries (whether garden fences or mountains) of the natural world. To be sure, for most of our time on this planet, “stewardship” was logical, not merely an ideal.
Meeting and talking to Virginia cut free my nostalgic longing from conjecture. Somehow the most simple thing—“It’s how they ate”—had been made complex by my ignorance or by the allure, logic, and convenience of modern living. But Virginia’s pantry was my wake-up call. It was the moment I shifted from wisp to way, the moment I became less inclined to imagine the joys of food preservation, stewardship, or homesteading in lieu of the very hard work that would, inevitably, stand before me.
Surrounding Virginia’s house were orchards and gardens that had fed Virginia, her now-departed husband Emerson, and their six children since 1946. Prior to that the Schmachers lived there, and before that Emerson’s great-aunt and great-uncle, who built the house in 1909. Regardless of resident or deed, the homestead was connected to a large eighty-acre parcel that was purchased by Mary Yoder Schwartz and her husband in 1887, after they moved to Oregon from Missouri.
Mary Yoder’s brother, his wife, and their children (one of whom was Emerson’s father) followed Mary’s lead in 1889, bringing with them the hardware for the town’s first lumber mill. Virginia’s home, the namesake mill, country store, schoolhouse, church, and township still stand today, in one form or another, to share in a legacy grounded in place.
The Yoder family celebrated its seventy-third reunion this past August in the Smyrna Church (built in 1890 from the lumber produced at the Yoder mill). I was lucky enough to attend the event, having begged for an invitation from Virginia’s cousin Roberta, who, at ninety-five, is one of the oldest living members of the family.
Having lunch with Virginia and Roberta earlier that year had been one of the high points of my summer. Sharing a meal of chicken and noodles (that Virginia made), green beans (that Virginia canned), and shortcake made with fresh raspberries (that Virginia picked) reminded me of how far I had come from this kind of simple fellowship among friends and family: this is what life looked like before life had to be designed.
Perhaps I am being overly nostalgic when I say that meaning and purpose are lost when people leave home in search of meaning and purpose. I understand the reasons we searched, and I understand the promise inherent in the search, but I also recognize the downside: we could be losing the sweet, solid fellowship that comes from generations of hard work and staying in place.
These two women who, with six children each (Roberta had two sets of twins, so bore six children in eight years), knew and accepted the hard work of their lives and, more important, loved it. Not every day, to be sure, but as a whole. I think it was Roberta who chuckled at the premise of “working women” who never had time to volunteer because they were busy. “Like we weren’t busy,” she chortled.
Here were women who knew the trades of homemaking as they applied to the bigger picture of environmental stewardship, which was the essence of home economics before we grew ashamed of it. Here were two women who sewed, sowed, cooked, canned, volunteered, and even entered the county fair as a measure of their respect for the effort. These were happy women: Women before the diaspora. Women grounded in a tradition that was shared with family and the systems that supported families. Women who, as Roberta so eloquently said, were “happy as if [they] had good sense.” The point being, it was hard work, but so what? Here was the answer to my mother’s lament of “Who needs such work?” Evidently we do, Mom. Perhaps it makes us strong and clear about our interrelationship with and responsibility to the natural world in a way that all the festivals, lectures, and round-table discussions cannot.
My hunch is that women like the Yoders found value in their lives, homes, families, and communities through the hard work that sustained it all. I doubt hard work was ever so fully disdained, and leisure so fully embraced, as it is today. Perhaps in challenging our culture’s marked abhorrence to work, specifically that grimy-sweat-during-the-harvest type of work, could be the bridge between nostalgia and a real life. In the end, it might well be the sweat on our brow that will deliver us the greatest happiness.
Still, I admit, my own life is easier than the grueling work of putting up the harvest, all day, every day. It’s more akin to urban homesteading: the emerging ethic of small-scale systems and trades within the confines of the city. Think American Gothic with a tattoo. Think victory gardens and mojitos. Think city chickens and Vespas. Funny thing, this herky-jerky effort, but at least we’re all trying.
How does one reconcile a life that is part and parcel of large-loop, modern-living systems with a life committed to the smaller-loop systems of the natural world? I work through that question daily. There are no easy answers since we are so thoroughly mired in the logic and language of modernity. Still, there are many ways to live in this manner and even more reasons to try. For me, the most powerful way to undo the imbalance is to turn nostalgia into action, to follow nostalgia’s lead to my own backyard, to consider Virginia’s words—“It’s what folks needed to do. It’s how they ate.”—and to follow that logic home.
Today I teach, write, and posit on the life of an urban homesteader. My efforts barely scrape the surface of the thing I am most enamored with: an economy and life that levels the playing field for the planet and its citizens. Our failings in this regard are the source of my greatest sadness and my motivation for walking backward in time. I suppose I am looking for a time before the world turned from generosity to greed, for a time when our neighbor was our concern, when the soil was our responsibility, when the well flowed equally to all homes. And in this regard I suppose I am being nostalgic, or just plain hopeful, to assume there was ever such a moment or, rather, that it could survive the forward thrust of modernity.
In the end I’m sure that was exactly what drew me to Virginia and her pantry. It was hope—and the notion that within the context of a family, home, land, and the blessing of good harvests (not to mention an honest share of hard work), we could not only fill the world’s pantries but our hearts as well.
From the Spring 2009 “Nostalgia” issue
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Eric Gold is a freelance writer in Portland and regular contributor to Oregon Humanities.
Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.
Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.
Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.
Caroline Cummins is the managing editor of Culinate.com.
Jedidiah Chavez is a visual artist and writer based in Portland. His work has been showcased in a variety of venues nationally and in the Pacific Northwest. Chavez was awarded a 2010 project grant by the Regional Arts and Culture Council.
Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.
Lucy Burningham is an independent writer and journalist who lives in Portland. She holds a master’s degree in nonfiction writing from Portland State University.
Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.
Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.
Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.
Barry Johnson has written about the arts since 1978 when he started writing about dance for the now-defunct Seattle Sun. He has edited arts sections at Willamette Week and The Oregonian, where he recently finished a twenty-six-year stint. You can find his up-to-the-minute thoughts on the arts at http://artsdispatch.blogspot.com.
Dionisia Morales is a freelance writer and teaches writing at Linn-Benton Community College. Her essays have recently appeared or are forthcoming in CAYLX, Brevity, Cream City Review, and Silk Road.
Wendy Willis is a poet, Conversation Project leader, and the executive director of the Policy Consensus Initiative and the deputy director for Research and Development at the National Policy Consensus Center at Portland State University. Her book of poems, Blood Sisters of the Republic, is forthcoming from Press 53 in fall 2012.
Carl Abbott is professor of urban studies and planning at Portland State University. A specialist on the history of cities, his recent books include Frontiers Past and Future: Science Fiction and the American West and Portland in Three Centuries: The Place and the People.
Monica Drake is the author of Clown Girl (Hawthorne Books),which was optioned for film by Kristen Wiig. Her next novel, The Stud Book, is forthcoming from Hogarth Press in February 2013.
Tara Rae Miner is a writer and freelance writer and editor, former managing editor of Orion magazine, and author of Your Green Abode: A Practical Guide to a Sustainable Home. She lives with her family in Portland.
John Holloran lives in Portland and teaches at Oregon Episcopal School. His last essay for Oregon Humanities was “After the Fall” (Spring 2011).
Rebecca Hartman is an associate professor of history at Eastern Oregon University. She received her PhD in history from Rutgers University in 2004. Her current research is focused on twentieth-century U.S. rural history.
Dmae Roberts is an award-winning independent radio producer and writer based in Portland.
Jennifer Ruth is a professor of English literature at Portland State University and the author of Novel Professions, a book of literary criticism.
Richard J. Ellis is the Mark O. Hatfield Professor of Politics at Willamette University. In 2008 he was named Oregon Professor of the Year by the Carnegie Foundation for the Advancement of Teaching and in 2007 he was chosen as Oregon Scientist of the Year by
the Oregon Academy of Science. His book The Development of the American Presidency is forthcoming from Routledge in January 2012.
After ten years in Oregon, Leigh van der Werff now lives in central California, where she runs a record store with her husband and their dog, Edgar. When she’s not at the shop, she’s writing essays and music criticism.
Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.
Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.
Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.
Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.
Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.
Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.
Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.
Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.
After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.
Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.
Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.
John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).
Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…
Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)
Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.
Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.
Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).
Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.
David Bragdon served on the Portland regional Metro Council for nearly twelve years and was elected president in 2002. The major accomplishment of his service was an expansion of the regional parks and natural areas network known as the Intertwine. He resigned from the Metro Council in September 2010 in order to accept New York City Mayor Michael Bloomberg’s appointment as director of the Office of Long-Term Planning and Sustainability.
M. Allen Cunningham is the author of Lost Son, a novel about the life of Rainer Maria Rilke. His first novel, The Green Age of Asher Witherow was a #1 Booksense Pick and was shortlisted for the Booksense Book of the Year. He’s the recipient of an artist fellowship from the Oregon Arts Commission and a Yaddo residency. His third novel, set partly in the Pacific Northwest, is forthcoming.
Bette Lynch Husted lives and writes in Pendleton. She is the author of Above the Clearwater: Living on Stolen Land (OSU Press, 2004) and At This Distance: Poems (Wordcraft of Oregon, 2010). Lessons from the Borderlands, her collection of memoir essays about teaching, class, gender, and race, is forthcoming from Plain View Press. She is a 2004 Oregon Book Award and WILLA finalist and was awarded a 2007 Oregon Arts Commission fellowship.
Bob Bussel is associate professor of history and director of the Labor Education and Research Center at the University of Oregon. He has published numerous articles on labor history and contemporary labor issues, including a history of the Oregon Bureau of Labor and Industries. He is currently working on a book about working-class citizens.
Dave Weich is the president of Sheepscot Creative. The Portland-based company fosters engaging and profitable communication among businesses, consumers, colleagues, and fans. Weich is on the editorial advisory board of Oregon Humanities magazine.
Camela Raymond is a Portland-based writer whose work has appeared in Modern Painters, Plazm, the Oregonian, and elsewhere. She was previously an editor at Portland Monthly magazine and the founding editor/publisher of the Organ. She serves on the editorial advisory board of Oregon Humanities magazine.
Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.
Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.
Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.
R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.
Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.
Apricot Irving is a writer and radio producer whose most recent project, Boise Voices Neighborhood Oral History Project , brought together elders and youth in Northeast Portland. She has lived in Haiti, Indonesia, and the United Kingdom, but currently calls Portland home.
Lucy Burningham is an independent writer and journalist who lives in Portland. During the past decade, she has traveled on assignment for a variety of newspapers, magazines, and Lonely Planet guidebooks. She holds a master’s in nonfiction writing from Portland State University.
Vicente Martinez lives in Portland and works at a fast food restaurant.
Susan W. Hardwick is a professor of geography at the University of Oregon. Her research and teaching focus on the geography of immigration, identity, and place in the Pacific Northwest. She is the author or co-author of nine books, including Russian Refuge: Religion, Migration, and Settlement on the North American Pacific Rim (University of Chicago Press, 1993). This article is adapted from Hardwick’s Commonplace Lecture that she delivered for Oregon Humanities in 2007.
Sarah Gilbert is a writer and photographer who lives in Portland with her husband and three little boys. She writes about food and finance for several web sites, including DailyFinance, WalletPop and Culinate, is cofounder of the Portland parenting resource urbanMamas.com, and keeps a blog, cafemama.com.
Kevin Nute is a professor of architecture at the University of Oregon. He is the author of the American Institute of Architects award-winning monograph, Frank Lloyd Wright and Japan (1993) and Place, Time and Being in Japanese Architecture (2004).
Brian Doyle is the editor of Portland Magazine at the University of Portland, and the author most recently of Thirsty for the Joy: Australian & American Voices, from One Day Hill Press in Melbourne, Australia.
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