Content
Spring 2010 : Look

Sign up to be the first to hear about what we’re doing around the state.
Spring 2010 : Look

Oregon Humanities: Spring 2010
They came by ship. They worked gruelingly hard. And when Portland’s earliest Chinese immigrants died, they were dumped, anonymously, into graves at the city’s Lone Fir cemetery.
“Chinaman, Chinaman, Chinaman”—that’s who was buried in Lone Fir according to a list kept by Multnomah County. A man reads these names aloud—or rather, these non-names—in Ivy Lin’s 2009 documentary film about the fate of the workers, Come Together Home. He continues, “The funeral home knew their names. The Chinese Benevolent Association knew their names. But the county just never thought it was important.”
The nameless dead were unearthed more than half a century ago and shipped back to China, where their remains got stuck in the limbo of a Hong Kong warehouse. Lin, a filmmaker who came across the story of Lone Fir’s exhumed Chinese workers while working on an earlier documentary about Portland’s Chinatown called Pig Roast and Tank of Fish, traveled to China to see what had become of the bodies.
“I think it was my personal transformation from being an Asian in America to an Asian American that inspired me to become interested in the stories of Chinese immigrants who arrived in Portland before me,” says Lin, who came to the United States from Taiwan in 1989. “Early Chinese immigrants endured a tremendous amount of hardship to pave the way for newer immigrants like myself. The very least I can do is to tell stories of their lives and raise awareness of their contribution in helping to build the city of Portland and the state of Oregon.”
Trailers for both films can be viewed online (http://www.vimeo.com/6226018), but full screenings of the movies are rare. The Friends of Lone Fir Cemetery showed Come Together Home in October 2009, followed by a December showing at Portland State University and a February 2010 screening at Portland’s White Stag building. But something more permanent may soon come out of Lin’s work: an official monument to the workers on the empty cemetery block where they used to lie.
Links for this page
If you reside in Oregon and would like a free subscription to Oregon Humanities magazine, please sign up here. You will also be signed up to receive our monthly e-newsletter.
Staff, advisors, etc.
Oregon Humanities magazine examines topics of broad public interest from a variety of perspectives and approaches. Recent issues of this publication have focused on stuff, nostalgia, and civility. Through good and thoughtful writing, Oregon Humanities magazine enriches our understanding of important subjects and stimulates conversation and reflection among readers, their friends, families, colleagues, and neighbors.
Caroline Cummins is the managing editor of Culinate.com.
Christine Dupres is the former director of the Office of Sustainability and Community Engagement at the Native American Youth and Family Center in Portland. She is a freelance writer and an Oregon Humanities board member.
Ellen Santasiero is a freelance writer whose work has appeared in Northwest Review, The Sun, Marlboro Review, Oregon Humanities, and in a recent anthology from the University of Oklahoma Press. She is at work on a memoir.
Karen Karbo‘s three novels, as well as her Oregon Book Award–winning memoir, The Stuff of Life, have all been named New York Times Notable Books of the Year. Her most recent book is The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman.
Lisa Radon has written about art and design for Portland Spaces (as associate editor), Portland Monthly, Surface Design Journal, SHIFT (Japan), FLAUNT, Hyperallergic, and ultra (ultrapdx.com). She’s written a handful of catalog essays and is working on her first book.
R. Gregory Nokes has worked as a reporter and editor for the Associated Press and the Oregonian. His reporting about this incident has resulted in a formal designation of the massacre site as Chinese Massacre Cove. He lives in West Linn.
Rich Wandschneider was the founding director of Fishtrap, a literary nonprofit in eastern Oregon, and is now building the Alvin Josephy Library of Western History and Culture at Fishtrap. He writes a regular newspaper column and has written for the Oregonian, High Desert Journal, High Country News, and others. He is on the editorial advisory board of this magazine and on the board of directors for Oregon Humanities.
Scott Nadelson’s most recent book is The Cantor’s Daughter. He teaches creative writing at Willamette University.
Add a comment
Commentary introduction