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Fall/Winter 2010 : Ha!

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Fall/Winter 2010 : Ha!

Oregon Humanities: Fall/Winter 2010
A few months ago, several of my friends posted Facebook links to a New York magazine article by Jennifer Senior called “All Joy and No Fun: Why Parents Hate Parenting.” As the mother of two young children who was soon to edit a magazine issue on happiness and humor, I clicked through and read the piece with interest, nodding in agreement at some points, grimacing at others, chortling throughout. Then, in a true mark of approval in this digital age, I posted the link on my Facebook page so that others might read the piece. I included a comment, describing the article as “intriguing and often hilarious,” to which one friend remarked, “Interesting. I’m not getting ‘hilarious’ from this, though.”
This friend, who is the father of two daughters under the age of five, had a point. According to the article, most research across the disciplines shows that people with children are less happy than people without children. Not funny stuff—at least, to parents, many of whom, the writer says, believe the findings are wrong. But in the course of figuring out why the data can show one thing but people believe another, the writer collects several funny quotes and observations and gets into intriguing humanities territory: what is the nature of happiness?
As I thought about this friend’s comment, it occurred to me that happiness and humor often have nothing to do with one another. Happiness is sincere and earnest, heartfelt and even a little purple, but not usually funny. Something funny can make you feel happy, true, but humor often stems from sad or upsetting or even grim experiences. What makes something funny is that it’s widely relatable, an experience or observation that’s universal. We laugh because we’ve been there, we’ve thought the same thing, we commiserate, we understand. I suppose I found humor in this article because so much of it rang true. I knew that the parents interviewed had their own stories of exasperating encounters with irrational, emotional children up sick in the middle of the night when an important meeting looms, bright and early, the next morning. These are funny, but not happy stories.
Late in the article, Senior makes a distinction between different kinds of happiness: moment-to-moment versus retrospective. “Is happiness something you experience?” asks Senior. “Or is it something you think?” The daily grind of childrearing might not be the moment-to-moment variety, hence, the findings that parents are unhappy make sense. Happiness instead might be found in the long look back, through, as Senior puts it, “the gilding of hard times.” She refers to the classic Greek definition of happiness as leading a productive, purposeful life, writing, “And the way we take stock of that life, in the end, isn’t by how much fun we had, but what we did with it.”
In this sense, then, humor and happiness work in tandem: chuckles and guffaws get us through the day, but joy and bliss help us take stock when we look back and reflect before moving forward again, into the storm.
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Oregon Humanities magazine examines topics of broad public interest from a variety of perspectives and approaches. Recent issues of this publication have focused on stuff, nostalgia, and civility. Through good and thoughtful writing, Oregon Humanities magazine enriches our understanding of important subjects and stimulates conversation and reflection among readers, their friends, families, colleagues, and neighbors.
Andrew Guest is an associate professor of psychology at the University of Portland. When not watching, playing, coaching or writing about soccer, he does research on youth developmental and educational experiences through sports, arts, and service activities.
Ariel Gore is the author of seven books including Bluebird: Women and the New Psychology of Happiness (Farrar, Straus and Giroux, 2010), from which this selection is excerpted. She is also the founding editor of Hip Mama, and editor of the Lambda-award-winning anthology Portland Queer. She teaches creating writing online at the University of New Mexico and The Attic in Portland.
Courtenay Hameister is the host and head writer of LiveWire Radio, the co-creator of “Road House: The Play!,” a screenwriter and filmmaker. In her spare time, she likes to imagine what it would be like to have more spare time.
Courtney S. Campbell is the Hundere Professor of Religion and Culture at Oregon State University. You can try friending him through his Facebook page.
Jamie Passaro lives in Eugene, where she is a freelance writer and an editor for Northwest Book Lovers, a blog produced by the Pacific Northwest Booksellers Association. Her last essay for Oregon Humanities was “Driving Mrs. Spacely” (Summer 2008).
Kristin Kaye is a Portland-based writer. Her book, Iron Maidens, was an Oregon Book Awards finalist. She has recently completed her novel To Catch What Falls.
Scott Nadelson’s most recent book is The Cantor’s Daughter. A new collection of his short fiction, Aftermath, is forthcoming from Hawthorne Books in Fall 2011. He teachers creative writing at Willamette University. His latest essay for Oregon Humanities was “Go Ahead and Look” (Spring 2010)
Todd Schwartz is in reality a very serious and reserved person who divides his time between being a Calvinist minister and a funeral home director. Wait…wait! A funeral home director and a Calvinist minister walk into a bar…
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