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Spring 2011 : Fail

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Spring 2011 : Fail

Oregon Humanities: Spring 2011
My mother says “you are only as happy as your saddest child,” and she is right. It’s not that my son is entirely sad but still searching. And I hurt for his searching, I feel pain for his confusion, I long for his triumph from the scars of addiction and for the return of his joy.
Like many single mothers, I was my son’s friend as much as anything else. Beyond that, we were co-conspirators. When he was Peter Pan, I was his Wendy. When he was Superman, I was his Lois Lane. Thick as thieves we were. For better and for worse. Two kids together.
I cannot discount the impact of my immaturity on my son’s life. Today parents know better. They know to be adult, resolved, mature. Back then, well, it was a crapshoot. Some of us were luckier than others.
As a teenager I was a hell-raiser. Yes, early on I had grand notions of traveling to the south of France to learn how to make perfume or to go to cooking school or art school on a fjord, but prudence, fear, or a simple lack of faith on the part of my parents squelched most of those big vision dreams and somehow, as a consequence, I imagined hanging out with my friends down at the park in an endlessly inarticulate rendition of the Haight would serve as a consolation prize.
Those years (primarily fifteen to eighteen) were little more than a blur. In the years that followed, I made choices that were part brave and part crazy. Each invention (and I must say, reinvention was my strongest suit) brought another life and it would not be disingenuous to suggest I was more fiction than fact. Still, I was a survivor, and a fairly smart one at that. I knew, in the eleventh hour, where the third rail was hidden and what, in the end, was simply too hot to handle.
And my son? Like his mom, he is trying to find his fit and like his mom his journey is messy. Sometimes I tell him that he must be careful. I try to tell him he must learn how to manage his creative mind and be careful of the third rail. That too long in the deep funk of an inarticulate life can find us worse for wear. I should know. I made it out just in time.
Yes, my son is his own man, but yes, I did fail in the way I delivered a certain genetic disposition—for good or bad—to my son. What shall he make of it, I wonder? Will he find the courage to fly off bravely and hopefully into the wild blue sky? When and if he does, I hope he remembers his Lois—she always believed in him.
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Oregon Humanities magazine examines topics of broad public interest from a variety of perspectives and approaches. Recent issues of this publication have focused on stuff, nostalgia, and civility. Through good and thoughtful writing, Oregon Humanities magazine enriches our understanding of important subjects and stimulates conversation and reflection among readers, their friends, families, colleagues, and neighbors.
Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.
Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.
John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).
Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.
Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.
Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.
Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.
After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.
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