Get together, share ideas, listen, think, grow.

DonateNow

Sign up to be the first to hear about what we’re doing around the state.

Content

Spring 2011 : Fail

Fail

Letter from the Editor

Writing

Bright Idea

Field work

Posts

What I Think

Fail

Oregon Humanities: Spring 2011

Epley in Exile

In early 2008 I wrote a laudatory essay in the Oregonian about Men in Exile, an anthology of Oregon State Penitentiary inmate creative writing published by Oregon State University Press in 1973. I appealed to any contributor reading the piece to contact me. A week later I received an email from Smoky Epley. “I was paroled from the Oregon State Penitentiary [on] January 3, 1972,” Epley wrote,

“and attended the University of Oregon into my senior year. I did not graduate, nor did I pursue a writing career. Instead, I chose to graduate to bank robbery and was arrested by the FBI on October 13, 1979. I was released to a halfway house on July 17, 2007. Yes, that’s twenty-seven years. (Twenty-seven years, nine months and four days, to be exact; but who’s counting.) In your article you said you’d never know but would like to think the contributors had turned their lives around and avoided returning to prison. Now you know that I did not. Not then.” (Letter to author, April 2, 2008)

I responded right away, and Epley and I met in a coffee shop in McMinnville. There, surrounded by high school and college students texting madly, he told me the inside story of the anthology and dazzled me by reciting line after line of classic English poetry. Later that summer, I reintroduced him to Oregon literary society at a reading on a sizzling summer night in Portland when he blew away the crowd with the most explosive performance I’ve ever witnessed at a literary event. We shook hands on the street afterward and then he disappeared—despite multiple emails and phone calls.

Then, in December 2010, I received an email. “My SID [state offender ID] number is 2413771,” Epley wrote, “I didn’t know that until last year … So how did I learn this? I went back to the pen.” Epley had done another twenty-six months for using his girlfriend’s credit card without her permission, and was now living in a group home in Newberg, free again to come and go as he pleased. “Well, not exactly,” Epley continued, “Around the first of November I caught a cold which developed into pneumonia and I went to the hospital. They admitted me immediately. (It was the first time I’d been in a hospital.) After four days they discharged me but wouldn’t let me go without in-home oxygen.” One of the group home’s residents had told him to google himself, and he’d found me again—and discovered I was working on a sequel to Men in Exile.

“Matt, I’m back! Can I help?” he wrote. I emailed Epley back and we later talked on the phone. We make arrangements to meet and catch up in person after the holiday season. I told him I couldn’t wait to read his new stuff, his first writing in almost forty years.

Add a comment

Commentary introduction

Name
E-mail address*
Location
Web site


Captcha instructions.

Previously

Back issues of the magazine

Subscribe

If you reside in Oregon and would like a free subscription to Oregon Humanities magazine, please sign up here. You will also be signed up to receive our monthly e-newsletter.

Masthead

Staff, advisors, etc.

Kathleen Holt
Editor
McGuire Barber Design
Graphic design
Eloise Holland
Communications Coordinator
Allison Dubinsky
Copy editor
Editorial Advisory Board
Tom Booth
Brian Doyle
Debra Gwartney
Julia Heydon
Guy Maynard
Win McCormack
Kathleen Dean Moore
Camela Raymond
Kate Sage
Rich Wandschneider
Dave Weich

Oregon Humanities magazine examines topics of broad public interest from a variety of perspectives and approaches. Recent issues of this publication have focused on stuff, nostalgia, and civility. Through good and thoughtful writing, Oregon Humanities magazine enriches our understanding of important subjects and stimulates conversation and reflection among readers, their friends, families, colleagues, and neighbors.

Contributors

Amanda Waldroupe

Amanda Waldroupe is a freelance journalist living in Portland. Whenever she fails, she buckles down and tries, tries again.

Debra Gwartney

Debra Gwartney is the author of the 2009 memoir Live Through This, which was a finalist for the National Book Critics Circle Award, the Oregon Book Award, and the PNBA award. She is currently working on a memoir about growing up in the West and the heritage of Narcissa Whitman, a project for which she received a research grant from the American Antiquarian Society. Debra lives on the McKenzie River with her husband, Barry Lopez, and is on the nonfiction faculty at Pacific University.

John Holloran

John Holloran lives in Portland and teaches at Oregon Episcopal School, where he is the chair of the history department. His last essay for Oregon Humanities was “Under a Spell” (Summer 2009).

Kim Stafford

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of a dozen books of poetry and prose, including The Muses Among Us: Elegant Listening and Other Pleasures of the Writer’s Craft. This essay is a section from his book-in-progress, 100 Tricks Every Boy Can Do.

Kristy Athens

Kristy Athens’ nonfiction and short fiction have been published in a number of magazines, newspapers, and literary journals, most recently High Desert Journal, Eclectic Flash, Diverse Voices Quarterly, and Five Fishes Journal.

Matthew Stadler

Matthew Stadler is a writer and editor in Portland. He writes about cities and urbanism for journals including Volume, Netherlands Architecture Bulletin, Domus, and Camerawork. His book about urbanism, Deventer, is forthcoming from 010 Uitgevrij, in Rotterdam. In 2009 he cofounded Publication Studio (http://www.publicationstudio.biz) in Portland.

Sarah Gilbert

Sarah Gilbert is writing a book about mothers looking for emotional healing in food. In February, she decided to begin homeschooling her eldest son.

Susan Meyers

After growing up selling corndogs and cotton candy at carnivals up and down the West Coast, Susan Meyers extended her gypsy lifestyle by spending several years in Latin American before coming home to the Pacific Northwest. Her work has recently appeared in CALYX, Dogwood, Terra Incognita, and The Minnesota Review, and it has been the recipient of several awards, including a Fulbright Fellowship. She teaches writing at Oregon State University.