Content
Summer 2011 : Belong

Sign up to be the first to hear about what we’re doing around the state.
Summer 2011 : Belong

Oregon Humanities: Summer 2011
If you’ve been following our work for the past couple of years, you’ve no doubt heard about the Oregon Humanities Wheel of Cogitation: a café table with a wooden-wheel top that is hand painted with topics of conversation such as, “Childhood book that changed you,” “Riveting image you’ll never forget,” and “Change a moment in history.” We take the wheel with us to events and use it to engage people in conversation.
Spinning the wheel is a satisfying experience—the loud clack of the pointer against pegs is reminiscent of a playing card against the spokes of a child’s bicycle wheel—but the discussions that follow are even more rewarding. One of the topics, “Neighborhood, city, country, planet: rank,” tends to give wheel spinners pause; they seem to mentally arrange then rearrange the order of the items, thinking about the ramifications of each hierarchy, about what their answer might reveal of their values and commitments.
To me, this topic isn’t meant to inspire such a conundrum; there’s no right or wrong answer. The point is more about recognizing that each of us belongs to networks of other people as vast as the global community or as small as the collection of neighbors on a block.
Thinking specifically of the slippery idea of nation, scholar Benedict Anderson calls these larger networks “imagined communities” because fellow members don’t know one another, will never meet, “yet in the mind of each lives the image of their communion.” He adds that these communities can also be thought of as imagined because “regardless of the actual inequality and exploitation that may prevail in each, the nation is always conceived as a deep, horizontal comradeship.”
Seen in this way, belonging is an idea, an aspiration. But it is also an act: to belong. The essays in this issue of Oregon Humanities explore aspirations for and revelations about community, as well as acts of communion and comradeship inspired by inequalities within a larger community or by shared values and interests. These acts of belonging can be mighty and intentional, such as efforts to change policies affecting an oppressed or persecuted group, or they can be quiet and more subtle, such as the choices we make to commit to and ally with others, to accept that the things we have in common are important enough to bind us together.
Links for this page
If you reside in Oregon and would like a free subscription to Oregon Humanities magazine, please sign up here. You will also be signed up to receive our monthly e-newsletter.
Staff, advisors, etc.
Oregon Humanities magazine examines topics of broad public interest from a variety of perspectives and approaches. Recent issues of this publication have focused on stuff, nostalgia, and civility. Through good and thoughtful writing, Oregon Humanities magazine enriches our understanding of important subjects and stimulates conversation and reflection among readers, their friends, families, colleagues, and neighbors.
Eric Gold is a freelance writer in Portland and former communications assistant at Oregon Humanities.
Oregon Humanities editorial advisory board member Guy Maynard is the editor of Oregon Quarterly, the magazine of the University of Oregon, and the author of The Risk of Being Ridiculous, a historical novel of love and revolution set in Boston in the the late 1960s, into which he managed to slip several Red Sox references. He lives in Eugene.
Joanne Mulcahy teaches creative nonfiction and humanities classes at the Northwest Writing Institute at Lewis & Clark College in Portland, where she is codirector of the Documentary Studies Certificate Program. Her writing combines memoir and personal essay with ethnographic exploration. Her book Remedios: The Healing Life of Eva Castellanoz was published by Trinity University Press in 2010.
Kambiz GhaneaBassiri is an associate professor of religion and humanities at Reed College in Portland. He is the author of A History of Islam in America (from which this selection is excerpted) and Competing Visions of Islam in the United States. He was also a faculty member at the Oregon Humanities Teacher Institute in July 2011.
Marion Goldman has passed through the social worlds of Rajneeshees, Jesus People, and Nevada prostitutes. In her latest book, The American Soul Rush (forthcoming in December 2011), she describes how a small group of 1960s seekers at California’s Esalen Institute cultivated and spread spiritual alternatives ranging from transpersonal psychology to yoga to Zen golf. She is professor of sociology and religious studies at the University of Oregon.
Tim DuRoche is a writer, jazz musician, artist, and cultural advocate. He works as the director of programs for the World Affairs Council of Oregon. Tim hosts the The New Thing, a weekly jazz program on KMHD-89.1 FM in Portland, is currently developing a program on jazz and community values for Oregon Humanities’ Conversation Project, and is the author of the recently published collection of essays, Occasional Jazz Conjectures.
Walidah Imarisha is a founding editor of AWOL, a national political hip hop magazine and has toured nationally and internationally as part of the poetry duo Good Sista/Bad Sista. She has taught in Portland State University’s Black studies department and leads three Conversation Project programs for Oregon Humanities on hip hop, the history of race in Oregon, and reenvisioning the prison system.
Add a comment
Commentary introduction